General Discussions

130 topics in this forum

  1. Rec.709 vs DCI P3

    Alex Prohorushkin,   
    • 22
    • 37,426

  2. Freelance Colorist Master Class?

    Steven Crowley,
    • 21
    • 17,058

  3. Color grading on remote 1 2

    Emily Haine,
    • 35
    • 12,225

  4. Media Offline Issues PC

    Meadow Lark,   
    • 7
    • 6,424

  5. Wrong clips in timeline when import xml

    Zainal Hakimi,
    • 3
    • 6,346

  6. DCP Conversion Issue (Urgent Help)

    BHARAT KHANNA,   
    • 17
    • 5,768

  7. Interesting comparison of color results on different platforms

    Margus Voll,
    • 15
    • 4,995

  8. The MANIAC Workflow(8K HDR for Netflix)

    Ildus gabidullin,   
    • 3
    • 4,802

  9. Looks

    Anders Norlie,
    • 10
    • 4,214

  10. Relocating

    Julien Chichignoud,
    • 7
    • 4,140

  11. ACES, the mighty beast of colors

    Margus Voll,
    • 6
    • 3,950

  12. DIfferent results for rec709 and P3-DCI using ACEScc or RCM on Resolve

    Rogério Moraes,   
    • 3
    • 3,550

  13. Opening Mac-formatted Drives in Windows

    Guest,
    • 5
    • 3,426

  14. Before and After Case Studies | Video Examples

    Craig Harris,   
    • 5
    • 3,401

  15. what is the Mid gray value for Blackmagic Film Gen 5?

    Clément Bouchet,
    • 1
    • 3,362

  16. Top Netflix serie

    Amada Daro,
    • 3
    • 3,349

  17. Ferannia P30 35mm B&W Stock is coming back...

    Frank Wylie,   
    • 4
    • 3,211

  18. Test Charts for Classic Kodak / Fuji Film Stocks?

    Daniel Rheaume,
    • 2
    • 3,206

  19. Is B&H bhphotovideo a trust worthy website?

    Adéyẹmi,
    • 5
    • 3,197

  20. VFX Workflow with SCRATCH 9

    Geoff,
    • 14
    • 3,179

  21. Film Matrix

    Salik,   
    • 3
    • 3,174

  22. CSI Sponsors

    Virgil Edward,
    • 2
    • 3,028

  23. ARRI SR3

    Attila Somos 01,
    • 2
    • 2,980

  24. Music when grading

    Nicolas Hanson,
    • 8
    • 2,978

  25. Survey for Colourists - Dissertation Help

    Caitlin Garvey,
    • 3
    • 2,972