Thomas Singh

I have been waiting for this, bravo!

Glad it worked out Emil!

Guess you have tried that, but after you have generated the optimized media you need to hit "use optimized media" from the playback menu on top.

It's working fine on DR16 Beta 3. Watch lesson 12 in the conform course, everything about optimized media is covered there.

I do also use Adstream for Ad traffic and their tolerance levels for incorrect values are rather high.

Nobody except a very few can afford a Sony X300 or the other grade one HDR monitors on the market, so yes the consumer TVs are what most artists use to practice HDR work.

Did you go to NAB this year @Bruno Mansi?

Is he a nice guy?

I have been working with Avid since the beginning and this is what I got issues with. 1. Their title tool sucked so hard and the developers did never put any love into it. Maybe they have done something with it the last two years but I have been working with that shit forever and I really hate them for not giving me a better tool and letting me look like a joke in front of clients and directors because I couldn't do the easiest task without something going wrong. 2. The keyframing is a joke. 3. The MP4 compression wasn't good enough so I always had to export same as source and do the final render in the media encoder. The Sorensen integration worked seamless but it was always some data level gamma issues even though I tagged the files correct. 4. When working with interplay and Nexis etc the mxf file structure was nice. But for short form I like to have the media in named folders organized in my own system and link to the files the way I can in Premiere. AMA wasn't good enough to work this way. 5. It was so many formats it didn't recognize, but it looks like that is sorted out now. What I like about Avid is the following. 1. It's a better editing tool than Premiere. I feel it's so much better that it's not really worth having a discussion about it. 99% of all the features in the world is done with it. 2. WHY doesn't Premiere have a client monitor on/off button!?! 3. It's stable, Adobe launch new updates all the time with critical bugs and issues. They don't test things, and it's not funny to sit in a client session explaining why the sample plot suddenly disappeared and stupid things like that.

One thing I love about the tracker in Fusion compared to the one in After Effects is that after the track you get the option to see a zoomed in visualization of the tracked area to see if it sticks or drifts. Then there are never any doubt if the track is good enough or not.

Lee Lanier has written many of the best selling visual effects books you can find on Amazon, and he is a teacher at the Gnomon VFX school in Hollywood. The quality of the courses on this site is hard to beat, and the instructors are professional presenters.

Excellent tutorials, definitely the best out there. Easy to follow and useful techniques that makes my work life so much easier!

Great, thank you for taking your time to answer me!

I need to deliver some shots from my graded timeline in DaVinci Resolve to VFX. How do I disable the grade? I have tried Shift-D and it disables them but not on render.

How do I loop a grain clip in DaVinci Resolve? I know it's possible, just can't remember how.