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Hi Daniele. Does ordinarily exporting an ALE from Davinci into Premiere pro, give me the leverage of experiencing Davinci's primary correction algorithm in Premiere? Just the LGG correctors ^+ saturation? In your post, you mentioned that "In order to make CDL work, you need an additional Colour Management Layer that transforms the image into the correct state, apply the CDL values and eventually convert the image into another image state" Thanks.

Better still, call it a day.

Thanks

Thanks.

The brain node...is it a parallel, layer, or key mixer? Or kindly export me a dpx file, the drx wont import, thanks.

by any chance do you know how this monochrome mode on the RGB mixer is achieved using either colour crosstalk or colour matrix on BL?

Sorry it only mutes all nodes on your colour page. For rendering, on the export page, under video, go to advanced settings, you will find Enable flat pass, choose the Always on option.

Of cos.

cmd \ or alt \ These two are for split and combine. This can be done within the colour page. Simply select the two clips or more which u r tryna combine.

Hi guys, I can't seem to set my davinci timeline to 4k and get a proper picture on the CG248, the picture blows out of proportion. Unless I leave it at HD. Am I missing something here? Do I need to acquire the 4k ultra studio. I am currently using the ultrastudio studio. My computer is a 5k imac with retina display.

Is it just me? Why is there always green latching onto skin tones after a colour balance, and when you try to take it out it becomes too or quite red or magenta. Any prevention ideas, apart from creating a key, because it's not practical all the time. Any professional approach, or required mode of operation while approaching an image. Thanks for the education in advance.

How different are these results to each other in your own opinion, kindly expantiate.

shift D

Probably, his zoom settings for his scope is different from yours.