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Found 38 results

  1. Andy Knox
    Tangent have added a great new feature to our Warp Engine which now allows you to simply record actions performed on the application’s GUI, and associate those recorded actions to a control on the panel. The control can be a button, knob, dial, trackerball or ring. Moving or pressing the control wil...
  2. Florian Rubenberger
    Hi there, I'm working in Resolve on a mac with a cleanfeed to my EIZO CS2700s via an Ultrastudio 3G over HDMI. Regardless of whether I set my monitor's input range to "limited" to match Resolves' Data Levels set to "video" or set both to "full", ticking the "Use 4:4:4 SDI"-option in Resolve (pr...
  3. Ranj
    Job description for Senior Colorist Studio Skwer invites Colorists around the world to submit their portfolios/showreels to be considered for the opportunity to collaborate with the Studio Skwer team. We currently have a position open for a full time Colorist, in our facility located in...
  4. Sachin Desai
    Hello all, I had done grading of a regional feature film, now they have given it for OTT platforms, and they are asking for a dolby vision version of it. if someone can tell me the proper workflow to obtain proper result in davinci resolve 16.. thanks
  5. Anton Meleshkevich
    I found photoshop hue control (hue/saturation) affects image differently compared to Davinci one. How can I get similar to photoshop hue control results using Davinci Resolve hue control?
  6. John Parker
    FilmConvert is launching our new plugin CineMatch, designed for all filmmakers working with footage from multiple camera sources. CineMatch helps you quickly and easily match footage from over 50 different cameras and manufacturers, including Sony, Canon, Blackmagic Design, Panasonic, Nikon, RE...
  7. Andrea Sabatelli
    Hi everyone! I would like to learn more about printerlights/offset. I know they are and were used a lot for a primary balance, but hating LGG I would like to learn more how to create super looks with offset/printerlights. Cause moving all the tonal range affects highlights, shadows and skintones qui...
  8. Clément Bouchet
    Hi everyone, I'm using the Davinci Resolve for many years and I noticed it's missing a major "feature" that was in previous versions. (since version 14) When working in projects with a MASTER TIMELINE, I often grade within an AAF/XML timeline and render the master timeline. What's happenin...
  9. Boris
    Hi I have a question, maybe some one can help me with. I have a multicam timeline in davinci resolve with 3 multicams and 8 more audio tracks. I do all my sound works in this timeline in the fairlight panel. But when I use this multicam timeline in another timeline (as a scene from a...
  10. Anne-Sophie Queneuille
    Hi everyone, Does anyone know if there is a tool to manage bright saturated color clipping (out of gamut colors) in Resolve ? Something similar to the Baselight compress gamut? Thank you,
  11. Dan Swierenga
    I've recently written an article for the frame.io blog about vfx workflows with Nuke, Flame, After Effects and Resolve/Fusion. Would love any feedback or perspectives on the information: https://blog.frame.io/2020/02/17/vfx-workflow-best-practices/ Thanks, love this site!
  12. Margus Voll
    Hi. I have ignored this issue long time now (R15.3) change cache location and close project prefs or even save does not actually save that information at all and leaves it as it was before. Seems like once project is populated it is impossible to change. Just left feature to cache over n...
  13. Chris Hart
    Hey folks, I came across a neat shortcut today, Shift+V, it selects the clip under your playhead, and makes for handy speed life! I quite often have to reframe shots for the various ratios of modern day life (Social Media for example!) and there are times I trip up and forget to select the clip I ne...
  14. BHARAT KHANNA
    I was working on mastering DCP of a feature through Resolve, I used inbuilt free Kakadu Format. When i went to theatre for DCP preview, it all looks faded and highlights are clipping alot. Some red colors have shifted to green. Plz help me, i need advice on how to master dcp without any...
  15. BHARAT KHANNA
    Has anyone ever faced issues, while grading where they sometimes push skin tones to lil red or green and later notice that it's not a perfect skin tone. What is the best way to notice these changes and what should be the color of skin tone? I know there is a skin tone indicator in resolve but that n...
  16. Taylre Jones
    Hey everybody, I've been running into issues with Resolve crashing when I choose the dual monitor setup while in the color page. Looks like an issue that has been going on with many people. https://forum.blackmagicdesign.com/viewtopic.php?f=21&t=84420 https://forum.blackmagicdesign.com/viewtopic.p...
  17. Kat Caverly
    I found this by Noam Kroll: The Unique Finishing Workflow I Used To Grade, Mix, & Master My Feature Film
  18. Josh Petok
    Here's a tutorial I posted a while back, but it's still very useful today: Creating areas of light and shadow are no problem with DaVinci Resolve. PowerWindows, polygons, or curves can be a colorist's best friend when controlling where you want areas of contrast. The only thing that limi...
  19. Ross Shain
    Boris FX is giving away 5 free OFX plug-ins for 360 video post for the month of May. Details found here: https://borisfx.com/products/continuum-units/continuum-vr/ Enables a workflow to reorient, add titles and sharpen on equirectangular mono & stereo footage.
  20. Sergey Macarescu
    Hi, I just started grading a few months ago. I was a TV engineer for more then ten years and an amateur photographer. I decided to try something new. Had several commercial projects and decided to make a reel. Most of the material is Alexa XT or mini, some are DSLR footage shot by me. I'd love to kn...
  21. Margus Voll
    Hi. I had interesting and different music video grade in the end of last year. Look wise and story wise it was interesting for me as it is dystopian weird dream. The story said we should get dusty desert feel and soft looks to it. Different from the things that we usually are ask...
  22. Virgil Edward
    How do you balance/grade using printer lights, and how do you do it in Resolve? This kind of workflow is very new to me, what my mentors taught me is to use LGG for balancing the image, but from the case studies I'm reading here, the authors almost always states that they balance the im...
  23. Yerlan Tanayev
    I'm selling Tangent Element Kit for 2400$. Used about 8 month. It's in pretty good condition. Kazakhstan, Almaty
  24. Clément Bouchet
    Hi everyone, I am trying to display DCI P3 properly on my HP DreamColor Z27x Studio Display. But everything is going purple when I select the colorspace on the screen menu. I can see my windows behind it but I have this Color on the top. (Windows 10) I'm using DaVinci resolve set to DCIP3...
  25. Jeffrey Yaworski
    Hi there guys, Brand new to the forum today. Have a quick question about ACES. I have been working in Post-Production for a few years, but ACES is somewhat new to me. I am grading a Documentary film that is a mix of Sony FS5, Sony FS7, and masses of Archive footage from different sour...