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  1. Hey everybody, I've been running into issues with Resolve crashing when I choose the dual monitor setup while in the color page. Looks like an issue that has been going on with many people. https://forum.blackmagicdesign.com/viewtopic.php?f=21&t=84420 https://forum.blackmagicdesign.com/viewtopic.php?t=51910 https://forum.blackmagicdesign.com/viewtopic.php?t=66034&p=372500 Has anyone had seen this or know of any fixes? People seem to submit logs and then never get a response. It's a new system build, fresh install, fresh everything with latest drivers of everything. -Windows 10 Home 64bit, 64GB RAM - Latest NVidia Drivers (Tried both Creator and Gaming drivers as well as re-installed drivers multiple times) - Resolve 15.3.1 Studio (fresh install and have tried re-installing multiple times). - 2x 1440p Dell GUI monitors (same models and resolution) each connected via display port to the GPU The "workaround" I have been able to achieve is by starting in single monitor, setting display 2 as the primary, then choosing dual screen, then switching back to display 1 as primary. This works fine but either has to be re-applied every time I enter a project or if the dual screen setup stays saved I cannot open a project with both monitors plugged in or it crashes. This is not acceptable at all. If anyone has seen this or figured out a resolution it would be great to hear! Attaching a video screen capture of the problem. Will also try and work with tech support to see of they have any answers but thought I would chat with you all as well. Crash_DualScreen_ColorPage2.mp4
  2. Using the latest Davinci Resolve 15 Free software on my PC. I opened a previously saved timeline for a wedding video highlights. I hoped to open it to make a few minor adjustments before I do one last render. All of the clips said Media Offline. All clips are red. I haven't done anything different. All of the original video clips are still in the same place unmoved, untouched and working fine. I have lots of storage too. I tried to clear the cached render but still no changes as suggested in a forum topic similar to my issue. It still shows No Media errors in all editing rooms - fairlight, color, etc. It won't play anything when I try to scrub or play. Any suggestions? I'm really disappointed in all the issues I've had to waste a lot of time troubleshooting in this program. I don't have a lot of time to spare with editing deadlines to meet. Please help. Thanks in advance.
  3. One of the clips on my timeline are marked "media offline". Strangely, when I play through the clips in the edit room it's there despite of that the thumb says that it's offline. I can play the clip in the color room too, but sometimes (not always) the screen flash media offline. Any idea what is going on? It's not a timecode / clip conflict as I don't have any options or opportunity to right click and change the source clip.
  4. Hi! Do you guys use the Tint/Temp controls in white balancing or LGG for the most of it? Is there a backlash in using Tint/Temp controls? Thanks!
  5. I am grading a feature (Indie) that was shot on the A7Sii, XAVC S S-Gamut3.Cine / S-Log3 1600 ISO High Profile 4:2:0 94-100Mbps UHD The issue- There is a visible pattern in the footage, can bee seen in about 50 shots so far, and can still be seen in the ungraded Log mode as well. The red one is an image I found online with the pattern, but no explanation as to what it is/and if it can be fixed some how. Anybody ever see this before? Is the footage screwed? I am grading in Resolve Studio 14 underneath a 2383 Film Emulation Lut (built in) Thank you!
  6. Resolve Collect copies source files used in a DaVinci Resolve project (Media Pool or Timeline) to a single destination using a DaVinci Resolve Project (.drp) file from V9, V10, V11, V12 and V12.5 New in 3.2 - Canon MXF spanned clip support - Sound when copying is done To download the new version visit http://www.niwa.nu/resolve-collect/
  7. Hi guys! This is a compilation of my works from August 2016 - 2017. I've been working as a colorist for almost 2 years now, I would love to know your thoughts about my reel. Thanks! Have a great year everybody!
  8. This seems like a basic question but wanted to get some insight on it. It is all about setting a proper balance dealing with log type footage. When using a film emulation LUT to expand contrast and implement a color "look", the image is going to have some type of color bias built into the math of the LUT. How are you suppose to "balance your shot" when using a LUT like this? I understand that you want to balance your shot to correct for any white balance issues but how are you suppose to achieve this with a film emulation LUT? Do you expand the contrast manually, add another node and apply balance, then reset the contrast node and apply the film emulation LUT? I hope this makes sense. thanks so much for your help.
  9. Do you have any guide on how to export EDLs or XMLs from Premiere Pro CC to Davinci Resolve? I guess that XML can transfer more data than an EDL, so that is what I should use?
  10. I'm selling a Tangent Wave panel in perfect condition, it still has the display protecting covers as you can see on the pictures. No scratches, no damages, no marks. No on-set use, only used in a grading suite.Price is 700€ plus shipping in EU.Thanks, Laco
  11. Hi guys, this is my first time in this forum. I have a workflow question about sony A7s with Resolve. I’ll be doing 10 webisodes color correction/grading. I will receive all the 10 episodes at once and I have 3 weeks to do it. Shot in 4K with Sony A7S. The footage is XAVC (I’ve never worked with this footage before). Normally I work with Raw RD3, Raw DNG files or ProRess. Destination is internet but they want to have it corrected for TV too just in case as the webisodes are for a broadcaster website. I’ll ask the editor for XMLs of each episode and footage. Romantic Drama. There are some digital speed ramps in the footage so I’ll ask for the footage without the speed ramp because it doesn’t read in the XML. I’ll ask for FX (if there’s FX) to be render prep and done. Question 1… Do I open one new project for each episode or within the same project, I’ll have timeline 1 (episode one), then import XML 2 – Timeline 2 (episode 2) etc,. I’ll save stills to apply same look to the other episodes. Of course, I must do shot matching first. 2- Broadcaster specs… I’ll send back everything to the editor so he can do the final online with sound. If the footage is 8bit, do I work in 10 bit in resolve? Because the broadcaster wants Bit rate: 10 bits I’m planning to give the editor back ProRess 422 then he can compress it for broadcaster right? 3. Still I didn’t speak with the editor yet so I’m not sure if the footage is Slog 2. Any recommendation with this codec? 4 Project settings: Finally, in the project settings/color management… what type timeline color space do you recommend for this. Thanks guys and sorry for all the dumb questions. Thanks Gabe Broadcaster specs below 4k UDH XAVC Wrapper: MXF Format profile: PO- 1a Video format: AVC Video codec: H.264 Video profile: XAVC 4k -intra Video compression Method: VBR not CBG Bit rate 200= Mb Bit rate Depth: 10 bits
  12. My footage which is 720p 60 is showing up as media offline in certain parts of the clip,mainly the middle, please help I tried "everything" My footage is recorded by obs studio and is MP4 file Note: I have done nothing to the clip (not even editing it)
  13. Hi guys, I need to rent suite for 11 days straight Toronto, Canada with a workstation and a grade one monitor. Please let me know if you now anyone. Starting June 18. Please let me know asap. Thanks Mario
  14. Hi everyone, I shot, edited, graded this short piece three days ago. l was looking for some more constructive feedback instead I got only likes of dislikes. So, once again I would love to hear some input from you all if possible. Here is the video link: Thank you in advance! Peace Jairus Nouvel
  15. We are pleased to announce that DaVinci Resolve 12.5.4 is released and now available on the Blackmagic Design support web page. The update is available at no charge for DaVinci Resolve and DaVinci Resolve Studio users. What's new in DaVinci Resolve 12.5.4 Added support for the Touch Bar on the new MacBook Pro Improved EXR decode and playback performance Added support for decoding MP3 files on Windows Added support for Grass Valley HQ and HQX codecs Added support for decoding MXF ProRes files Added support for preserving super-white and sub-black data in ProRes 4444 codecs Improved grading and playback performance when working with large node graphs Improved support for CR2 files from Canon 5D Mark IV Added support for Rec. 2100 in RCM Added support for sliders to control Dolby Vision analysis data Added support for image orientation flag in DPX files Added P3-D65 IDTs and ODTs in ACES Added Rec.2020 ST.2084 1000 nits ODT clamped to P3 in ACES Increased maximum bitrate for JPEG2000 renders Addressed an issue where only one eye was updated while wiping stills in Stereoscopic 3D Addressed an issue with artifacts when decoding some Cineform footage Addressed an issue with decoding some MP4 files Addressed an issue with audio and video going out of sync on some phone camera footage Addressed an issue with exporting fades to and from black to Dolby Vision XML Addressed a crash with editing Camera Raw settings in the Media Pool Addressed an issue with "Preserve source directory" in the Deliver Page Addressed an issue with Audio Meters in dual screen mode Addressed an issue where data burn-ins are sometimes not seen on the Edit Page Addressed an issue with rendering one channel per track on Linux Addressed an issue with highlights in Lum Vs. Sat when adjusting shadows Addressed an issue with decoding Canon XF AVC Intra 12-bit files General performance and stability improvements
  16. Resolve Collect copies source files used in a DaVinci Resolve project (Media Pool or Timeline) to a single destination using a DaVinci Resolve Project (.drp) file from V9, V10, V11, V12 and V12.5 New in 3.2 - Canon MXF spanned clip support - Sound when copying is done To download the new version visit http://www.niwa.nu/resolve-collect/
  17. How do you backup your projects? Do you use the internal backup system and do you consolidate your raw data or simply keep a clean master file without any corrections applied?
  18. DAVINCI RESOLVE ON A SURFACE PRO 4 review provideocoalition.com Can you grade on a tablet? Read What thinks about this? Toy, not serious or quite real? Share your opinion