David Gomez Ojeda

Premium
  • Posts

    4
  • Joined

  • Last visited

Reputation

1 Neutral

About David Gomez Ojeda

  • Birthday 11/29/2019

Recent Profile Visitors

773 profile views
  1. Hi Randy Many thanks for your answer. I´ll definitely try your method. Will give a try to Dehancer as well. Thanks a lot!
  2. Hi group Any chance to export and make the looks work through Arri Reference Tool to get the looks into the camera? Not getting accurate results here. Thanks!
  3. The grade looks fine either on the Cm-250/iphones/ipads... the issue is that the black bars have lost their 100% black, and that makes the Dop crazy Ok so here comes my missunderstanding, I've always thought that Davinci ignores the bars... It hasn't been until this job that we pushed the blacks a little bit more than usual that the Dop complained about the stills (because of subtle grey black bars). I didn't try this option because of the misunderstanding explained before, will go this way from now on. Thanks Orash
  4. Hi there So maybe I guess this is a known issue but I can´t figure out why is happening at all, no sense to me. Importing Open Gate 3424x2202 Anamorphic footage into a 1080 timeline and desqueezing, so, obviously black bars appear up and down. Grading in a Fsi Cm-250 trough BM minimonitor, the black bars are black, really black, no doubt. But when I import JPG stills and see them in the phone, screen, iPads... it seems like the black bars are contamined by the grading, so they're not pure black anymore, and the DP complaints, I would too... Why is this happening, its so annoying.