Amada Daro

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About Amada Daro

  • Birthday 04/11/1989

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  1. Roto the reflections and composite them on top of everything. If not possible, it's a paint job.
  2. All the looks are included in the plugin, but a couple of them are not available in the RCM/ACES versions mentioned by @Merlin Jahn. I read online that some looks have print data based on real film colorimetry and complex cross-colour contamination that it impossible to transfer over to a color managed workflow. Probably because a color managed workflow relies on an external transform and not a "recorded one".
  3. by Lowepost is a collection of true film print emulations that I know is implemented in several high-end facilities that last year. Have used it myself on commercial work and it totally blows my mind.
  4. DNxHR 444 delivers inconsistent levels because different platforms interpret it differently. Go down to HQX or switch to prores for a consistent result.
  5. This is extremely basic, just watch the Introduction to Fusion training on this site and you will quickly understand how to layer, mask and track for shots like that.
  6. In short... freeze the frame, mask her out and track her back into the original clip.
  7. I'm totally aware of that After Effects is better suited for motion graphics work than Nuke, and that Nuke is the industry standard for high-end compositing. But, is Nuke really so much better for complex compositing tasks? The only thing I've been missing in After Effects is smart motion vectors for comp work on uneven surfaces such as clothes, but with the mocha pros new power mesh tool those things can be solved with an After Effects workflow too. What is your opinion on this?
  8. Have you tried to freeze the single frames, stretch them out and/or create a compound clip?
  9. Hi! How do I link audio and video on the timeline in DaVinci Resolve? I'm not talking about syncing clips, but I want the audio to be marked when I mark the video vice versa.
  10. Thanks for your input! When smart cache is enabled, it turns the red lines into blue but some parts of the timeline doesn't have a line at all an doesn't playback in realtime. What is the reason for this?
  11. I have improved SRT subtitles to the timeline but the client wants me to highlight some of the words words. Both scale them bigger and change color. Is that possible to do?
  12. Considering to buy a new Macbook Pro to do some on the go grading. Would 16GB memory be enough?
  13. I need to get access to the 5220-2 LUT from the ARRI look library. Does anyone of you have a version that is readable in DaVinci Resolve?