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Found 3 results

  1. Hey guys, I don't know if this makes sense, but I've come up with a workflow that I think is plausible in matching A7S with Alexa footage. I used color space transform ofx to convert slog to to log-c and matched the color of the a7s with the log-c of the alexa footage then applied the same settings that I used on the Alexa to the a7s. What do you think about this?
  2. Visiting NAB this year? I would like to draw your attention to the following event: https://www.eventbrite.com/e/arri-and-filmlight-workshop-at-nab-2018-registration-44545711422 We will show an effortless BLG workflow between the Alexa and the FilmLight tools. And after that I will present new and upcoming features of Baselight. There is a longer description of the event in the link. See you there, Andy
  3. Hi. I had interesting and different music video grade in the end of last year. Look wise and story wise it was interesting for me as it is dystopian weird dream. The story said we should get dusty desert feel and soft looks to it. Different from the things that we usually are asked for most of the times. All was shot on Arri Mini with rehoused Lomo set. Graded in DaVinci Resolve Studio in ACEScc colorspace. YT does make wonder to images like always but i can not share it on my profile. Maybe i could give some still frames to look at. Directed and written by TOMM¥ €A$H Produced, Art Directed and Styled by Anna-Lisa Himma Director of Photography: Heiko Sikka Editing: Emeri Abel Colorgrade: Margus Voll, C.S.I. CGI: Denis Strahhov Production design: Anna-Lisa Himma, Anneli Arusaar