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  1. Hello all, I had done grading of a regional feature film, now they have given it for OTT platforms, and they are asking for a dolby vision version of it. if someone can tell me the proper workflow to obtain proper result in davinci resolve 16.. thanks
  2. Hi, lovely people of the forum. First post here. What's your go to software or online app that you use for a back and forth of massive file sizes? With the pandemic and working remotely more a norm was wondering what the industry standard is. Specially when it comes to sending RAW footage or...
  3. Hi everyone! I would like to learn more about printerlights/offset. I know they are and were used a lot for a primary balance, but hating LGG I would like to learn more how to create super looks with offset/printerlights. Cause moving all the tonal range affects highlights, shadows and skintones qui...
  4. Hi friends! I'm working on my first feature and I want to know what should I consider to work in a project that would be screened on theaters and streaming platforms. How do I set up my odts?
  5. Hello, I have a bit of a unique case and would love any/all feedback on setting up my timeline correctly for delivery success. FYI - I am a director/DP who is teaching myself editing but still relatively clumsy in an NLE. I am hoping to be proficient enough to be my own "junior editor" for my featu...
  6. I've recently written an article for the frame.io blog about vfx workflows with Nuke, Flame, After Effects and Resolve/Fusion. Would love any feedback or perspectives on the information: https://blog.frame.io/2020/02/17/vfx-workflow-best-practices/ Thanks, love this site!
  7. Just looked intro to BL for Avid on FilmLight page and got intrigued a bit. What i mean is usually i get edit from avid and the thing that was mentioned in the end "see grade while editing" is the case some times it would make sense to Harness. My goal would be to learn that workflow and practice...
  8. I found this by Noam Kroll: The Unique Finishing Workflow I Used To Grade, Mix, & Master My Feature Film
  9. Hi everyone! Is there some sort of grading groups (similar to davinci resolve groups) in Scratch?
  10. Hi! Do you guys use the Tint/Temp controls in white balancing or LGG for the most of it? Is there a backlash in using Tint/Temp controls? Thanks!
  11. Hi all, we're doing a pre-NAB event on the new SCRATCH on April 4th, that is all about dailies. This is actually more a basic training on SCRATCH for dailies, than it is a presentation. Aim is, that anybody attending is able to process dailies in SCRATCH after the event is over. We have p...
  12. Hi guys, this is my first time in this forum. I have a workflow question about sony A7s with Resolve. I’ll be doing 10 webisodes color correction/grading. I will receive all the 10 episodes at once and I have 3 weeks to do it. Shot in 4K with Sony A7S. The footage is XAVC (I’ve never w...
  13. Hi. Have not posted long time here but now i feel to need to spread some words on my digital desktop. I wonder if anyone has lately some experience on subject? I'm doing one job now where 90% is VFX in one way or another and now i do all the versioning manually. Sure we could set up fus...
  14. Hi all, here's a tutorial about how to create dailies for Avid in SCRATCH. Even if you are aware of the workflow and not particularly a SCRATCH user, you might still wanna check this video out, as it features a nice trick I used to do on-set 🙂 . Che...
  15. Hi all, we did a new tutorial showing ACES workflows in SCRATCH. You'll see debayering raw footage directly to ACES, loading IDTs manually onto non-raw footage and live SDI-streams, as well as setting up your viewing devices and rendering pipeline. Enjoy!
  16. Hi all, here's a tutorial about dealing with footage from the Kinefinity cameras, including KRW, Kinefinity's own raw-format:
  17. Hello, maybe something different and not so into colour... but how the features you work on will be finished? Is it done like in Flame or Smoke? Or is it done in the Grading-system? Our Finishing-Tool is Baselight but there can be some problems with it, especially with Audio you can get in...
  18. Hi all, since there are many places in SCRATCH to load (and save) a lookup table, here's a quick guide showing all the possibilities when working with LUTs:
  19. Connected Colour Workflow - Part 4
  20. Connected Colour Workflow - Part 3
  21. Connected Colour Workflow - Part 2
  22. Connected Colour Workflow - Part 1
  23. Hi folks, since Pomfort and I basically live next door to each other here in Munich, we sat down together a couple weeks back and have developed a nice workflow to transfer looks from LiveGrade to Silverstack and from there to SCRATCH: http://pomfort.com/news/2016/08/livegrade-pro-silverstack...