Search the Community

Hello, I have a bit of a unique case and would love any/all feedback on setting up my timeline correctly for delivery success. FYI - I am a director/DP who is teaching myself editing but still relatively clumsy in an NLE. I am hoping to be proficient enough to be my own "junior editor" for my feature doc projects. Keeping my naiveté in mind when giving advice will be super helpful to me and help reduce "follow up" questions 🙂 Goal - Deliver a 2k (DCP) short feature (60min) documentary film consisting of SD (4:3) archival footage which was shot on the DVX100a 13 years back. All footage is SD there will be no mixed media. It is imperative that the upscale and text on screen look as good as possible. The Situation - Footage is currently in a Premiere Pro project (60+ hrs) pretty well organized and close to ready to be delivered to the editor (lets say it is "pre-edited" now). We have known essential scenes and shots translated (org. language is Bengali, translated to English) and we have .srt's of said translations. I would be "fine" with doing the edit in PP, however it is seemingly impossible to import subtitles in a format other than .scc or a very stripped down .srt. As such the styling and resolution of the subtitles would all need to be redone in PP and from what I understand DR will allow me to work with the .srt files seamlessly, change all the params on the text and even export a new .srt file. As such I am inclined to import each timeline into DR and attach the .srt files in DR and finish the edit, color and delivery there. Problems to Solve: SD --> HD upres for delivery - Some have suggested the "super scale" function in DR 16 could work well in this case but I have been having a hard time finding information on the best way to set up a timeline for this specific case use (or really any decent info on settings or techniques to try within Super Scale. What would you suggest? Proper Timeline Set Up - I know this is super important when starting any project and as I am less familiar with SD tech (or lack thereof) I am even more hesitant to stab in the dark on this. I would hate to create a problem at the onset which would become problematic on delivery. Everything was shot in 24p btw. Any suggestions on not only setting up the DR timeline but exporting the PP timeline(s) or project if possible (I would rather import a complete project but if I need to go timeline by timeline I will). Subtitle gotcha's or Pitfalls - So I was a bit heartbroken to learn that the .srt files have very limited functionality in PP, and I would love to know what are the pitfalls I could experience in DR before I make the belabored effort of migrating the entire project over. Any, life experience help or suggestions would be super helpful! Again, any advice, guidance is very much welcome and appreciated. Thx!

Red Scarlet r3d files are offline in the media browser and pool. No thumbnails or anything. I've tried importing timelines in both AAF and XML forms from Premiere where the footage is active but Resolve can't even load a thumbnail...