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Found 30 results

  1. Ranj
    Job description for Senior Colorist Studio Skwer invites Colorists around the world to submit their portfolios/showreels to be considered for the opportunity to collaborate with the Studio Skwer team. We currently have a position open for a full time Colorist, in our facility located in...
  2. mason
    “real editing software” noob. i recently got passed my changing file names mistake.... i have an issue where i think when i drag new clips to my time line and/or a sound track i notice i lose some stuff. am i doing something wrong amongst my multiple layers? to be specific, I Alt+A to move my s...
  3. Евгений Васильцов
    I do not often deal with the color correction of other people's projects, but I almost always paint my own, now I have a slight bewilderment, I can not pick up color for these frames. It's a short meter, a comedy genre! If you have the opportunity to help me please check with the color! Alex camer...
  4. Virgil Edward
    Is it possible to use the ACEScc color space ver. 1.0 then output it as a TIFF file Rec 709? This means that the output will revert back to the default color space of DaVinci Resolve right? What I want to achieve is that, my output will be directly used by the VFX compositors disregardi...
  5. Anton Meleshkevich
    I found photoshop hue control (hue/saturation) affects image differently compared to Davinci one. How can I get similar to photoshop hue control results using Davinci Resolve hue control?
  6. Cristian Baitg
    Would love a in deep tutorial on how to track correctly paint nodes in Fusion I need to clone out parts of a clip in motion and dont know how to solve it in Fusion In Mocha Pro I can do a plate track it and done but in Fusion everything is so complicated an unintuitive that I get stuck Its really fr...
  7. James Conkle
    I'm in the process of keying my first green screen project (yay) and I'm trying to combine two DK nodes, but I can't figure out how to make that work. The subject is wearing "green" which will eventually be keyed out, but it's different enough from the background to (I think) warrant to...
  8. Billy Rybka
    Hey! So I made a social media lower third but when i put it into a higher resolution time line the logo doesnt scale like the rest of the macro does. I am using SVG files for the Logo but still have this problem. Does anyone have any clue how to fix this?
  9. Ildus gabidullin
    .. I found colorist Steven Bodner's approach to a "reversed Dolby Vision" process really unique and DP Darren Lew's approach to the use of a wide color gamut very notable. ___________________________________________________________________________________
  10. Edoardo Rebecchi
    Hi, I was wondering about the different revisions of the Advanced Panel by Blackmagic. Also do you have any idea why on this website they can do this price? http://www.sdicraft.com/blackmagic-design-davinci-resolve-advanced-panel.html?gclid=EAIaIQobChMIv_ivhueO2QIVJTPTCh2SgQCfEAAYASAAEgL_f...
  11. Josh Petok
    Here's a tutorial I posted a while back, but it's still very useful today: Creating areas of light and shadow are no problem with DaVinci Resolve. PowerWindows, polygons, or curves can be a colorist's best friend when controlling where you want areas of contrast. The only thing that limi...
  12. Amlabme
    My name is Kate, I'm a post-production artist and coordinator of amlab.me — project for learning color grading. Thanks so much for creating the community of filmmakers. We’ve just launched a color grading challenge ($300 prize for a graded shot) for people who would like to improve their...
  13. Sammy Fernandez
    Red Scarlet r3d files are offline in the media browser and pool. No thumbnails or anything. I've tried importing timelines in both AAF and XML forms from Premiere where the footage is active but Resolve can't even load a thumbnail...
  14. Ildus gabidullin
    THE KODAK 2383 LUT REBUILT AS A RESOLVE POWERGRADE Juan Melara show you how to rebuild the Kodak 2383 LUT as a Resolve PowerGrade
  15. Ildus gabidullin
    MANAGING SATURATION IN RESOLVE Legendary Kevin Shaw, share the experience of managing saturation in Davinci Resolve .
  16. Margus Voll
    Hi. Graded a job last year that i have not shared before. It is a bit colorful. Shot on Red Epic 6 k and graded in Davinci Resolve Studio with ACEScc. Director/DoP: Daniel Kunz Camera: Sven Wedekind Colorist: Margus Voll, C.S.I.
  17. Virgil Edward
    How do you balance/grade using printer lights, and how do you do it in Resolve? This kind of workflow is very new to me, what my mentors taught me is to use LGG for balancing the image, but from the case studies I'm reading here, the authors almost always states that they balance the im...
  18. Virgil Edward
    Hey guys, would love to know what tips and tricks you use in grading a car commercial, particularly an SUV. This is my first time grading one, so it would really help if I know a thing or two about it. Thanks!
  19. Clément Bouchet
    Hi everyone, I am trying to display DCI P3 properly on my HP DreamColor Z27x Studio Display. But everything is going purple when I select the colorspace on the screen menu. I can see my windows behind it but I have this Color on the top. (Windows 10) I'm using DaVinci resolve set to DCIP3...
  20. Jeffrey Yaworski
    Hi there guys, Brand new to the forum today. Have a quick question about ACES. I have been working in Post-Production for a few years, but ACES is somewhat new to me. I am grading a Documentary film that is a mix of Sony FS5, Sony FS7, and masses of Archive footage from different sour...
  21. Alex Prohorushkin
    Hello everybody. I have long wanted to ask, but could not. Why DaVinci? Because - Price? Quality tools? Flexibility? Accuracy in color? Capabilities? Support? After all, once the company BM lowered the prices of their program (Davinci), then immediately appeared thousands of "colorist...
  22. Margus Voll
    I just finished grading BELDONA: summer 2017 «Escape» for Cheese & Chocolate Film. Yet again good example how remote work is done in simple way. This spot is produced in Switzerland, shot in Mexico, edited in Switzerland, post and grading done here in Estonia and final delivery to Switzerland aga...
  23. Alexis Rodil
    Hi:I´m a colorist based in Mexico city and I wil be in need of a DaVinci color Suite in NY. Just for a few hours, (3 to 6).Someday around may 15th. Nothing fancy just a calibrated professional Monitor. Is for look development and Lut generation for an independent feature film. If someone is interest...
  24. Kristopher Paterson
    Hey folks, This is my first reel. Please, feel free to comment and critique. I don't have a large number of projects under my belt, there are 6 featured here and 2-3 others that are somewhat reel worthy - but for the most part this is the best of the best. Thanks! It's a...
  25. Margus Voll
    director: Sven Wedekind director of photography: Daniel Kunz grading: Margus Voll, C.S.I. Beldona lingerie fashion spring spot i graded is just out. See all the new trends and feel the warmth in spring weather slowly coming. Shot with RED Epic. Graded it in ACES with Resolve studio...