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  1. Client: Bolt Production Company: Get Shot Films Producer: Kadi Freja Felt Director: Janar Aronija Cinematographer: Martin Venela Colorist: Margus Voll, CSI, ICG Posthouse: Iconstudios.eu Arri Mini, DaVinci Resolve, ACES
  2. Is it possible to use the ACEScc color space ver. 1.0 then output it as a TIFF file Rec 709? This means that the output will revert back to the default color space of DaVinci Resolve right? What I want to achieve is that, my output will be directly used by the VFX compositors disregardi...
  3. Hello everyone. This is my first post here and maybe you can help me. Since a while I was working with Resolve for Editing my Videos. Now I have to work with different cameras and I wanted to try out ACES just for learning and understanding how this works. My If I am loading some material in...
  4. Hello, I'm looking for some clarification, real world examples and best practice of using BLG workflow (in ACES) between BL, Flame and Nuke. Lets say if you have project shot with one camera things are pretty straight forward. Fun starts when you have timeline with Alexa mov, mxf and Arri Raw,...
  5. Hi. Graded a job last year that i have not shared before. It is a bit colorful. Shot on Red Epic 6 k and graded in Davinci Resolve Studio with ACEScc. Director/DoP: Daniel Kunz Camera: Sven Wedekind Colorist: Margus Voll, C.S.I.
  6. Here is my latest work for a beer commercial. Shot on Arri Mini and graded in Resolve Studio 12.5.5 in ACEScc. Last products shots have some external mattes from Mocha Pro to get more precision in masks.
  7. Hi all, we did a new tutorial showing ACES workflows in SCRATCH. You'll see debayering raw footage directly to ACES, loading IDTs manually onto non-raw footage and live SDI-streams, as well as setting up your viewing devices and rendering pipeline. Enjoy!
  8. Still frames from short film "Pobeda" i graded Director Vladislav Mukovnin, DOP Ermins Baltais, Producer Diana Põdra It was shot on RED Epic and graded in Davinci Resolve Studio 12.5 using ACES
  9. director: Sven Wedekind director of photography: Daniel Kunz grading: Margus Voll, C.S.I. Beldona lingerie fashion spring spot i graded is just out. See all the new trends and feel the warmth in spring weather slowly coming. Shot with RED Epic. Graded it in ACES with Resolve studio...
  10. ACES In Lustre ACES in Flame
  11. Client: Eesti Energia Director: Helen Takkin Producer: Kadi Freja Felt Cinematographer: Meelis Veeremets Editor: Johannes Arro Color Grade: Margus Voll, C.S.I.
  12. Today we(ACES team) are announcing the launch of ACEScentral.com. ACEScentral is intended to serve as a single location to find information on all things ACES. This includes a new forum for discussion of topics and issues related to ACES. We invite you all to sign up for new forums at ACEScentral...
  13. Hi all, here's a quick tutorial focussing on color management in SCRATCH. However, below I've posted the two in-depth tutorials about color management! Enjoy, Mazze *EDIT* Added the first part of colormana...