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  1. Job description for Senior Colorist Studio Skwer invites Colorists around the world to submit their portfolios/showreels to be considered for the opportunity to collaborate with the Studio Skwer team. We currently have a position open for a full time Colorist, in our facility located in...
  2. I would like to invite you all to FilmLight's next online event: Colour Online: Film Awards Season Thursday, 29 April 18:00 GMT Let’s celebrate the recent nominees and winners of this year’s awards season. FilmLight is hosting a discussion with colourists Kyle Stroebel (Refinery) - My Oc...
  3. I am happy to invite you to our webinar about this new show on Netflix. In this exclusive discussion, FilmLight interviews the talent behind the new sci-fi TV series from Netflix. Released on February 19, Tribes of Europa tells the story of three siblings fighting for survival in future Eu...
  4. I am a long time Avid editor (c.1994). A while back I purchased the Wave 2 and was unable to get it to talk to the Baselight software.I gave up after both Tangent and Filmlight support were unable to assist me. I have a bit of time now and would love to get these two talking to each other. Can anyon...
  5. Hi @ all I try to find a Shortcut to toggle between the Operators while you are using Baselight for AVID!? Can anyone help please? Thanks
  6. Registration is now open for our next Colour Online webinar: Developing Digital Images with Andy Minuth, FilmLight Colour Workflow Specialist Tuesday, October 27 In this new live webinar, Andy demonstrates best practice for developing digitally acquired images and for building a laye...
  7. Hi everyone, Does anyone know if there is a tool to manage bright saturated color clipping (out of gamut colors) in Resolve ? Something similar to the Baselight compress gamut? Thank you,
  8. Hello, Can someone explain how to setup rendering in Baselight 4.4 to match equivalent render settings from Resolve: - individual clips, DPX - source timecode and metadata - original resolution, no resizing - force de-bayering in high quality - everything in one folder...
  9. Just looked intro to BL for Avid on FilmLight page and got intrigued a bit. What i mean is usually i get edit from avid and the thing that was mentioned in the end "see grade while editing" is the case some times it would make sense to Harness. My goal would be to learn that workflow and practice...
  10. New video showing what FilmLight was demonstrating on the show floor at NAB2019 - including the next generation grading tools in Baselight 5.2 and the upcoming 5.3 release, a first look at the new FilmLight API (allowing advanced automation for managing media and Baselight scenes using Python, Javas...
  11. At Oxido in Mexico, Fernando Medellin grades commercials, features and television: he was in at the beginning of the color workflow for Oscar-nominated 'Roma', grading dailies for Alfonso Cuarón. In this exclusive live 'Meet The Colourist', Fernando talks about his collaborative creative work w...
  12. Goodevening,I am encountering an unexpected behaviour when rendering with baselight 4.4. Due to in progress jobs we are avoiding an upgrade.I am struggling to properly tag the color space of my exported clips.Exporting to quicktime prores4444XQ.Colour Space Tagging: AutomaticOriginal clip CS: Arri l...
  13. Save the date... NAB2019 Colour Day. Monday 8 April. Renaissance Las Vegas Hotel Leading colourists will present their individual journeys in colour, as well as the creative tips they have honed over successful careers – all live on Baselight. The colourist lineup includes… Doug Delaney fro...
  14. Sylvain Canaux Colourist, St Louis, Paris A native Parisian, Sylvain Canaux started his career at post house St Louis where he quickly gained recognition for his work on beauty grading for high end commercials and photographers, such as Chanel, Yves St Laurent & Dior. Using Baselight v5,...
  15. Hello, I'm looking for some clarification, real world examples and best practice of using BLG workflow (in ACES) between BL, Flame and Nuke. Lets say if you have project shot with one camera things are pretty straight forward. Fun starts when you have timeline with Alexa mov, mxf and Arri Raw,...
  16. Hello Everyone! My new project, viideo-course in Baselight 5.0 for beginners (english language). Alex
  17. The third part of this tutorial series covers scene, job and global formats as well as metadata burn-ins.
  18. Part 2 of this three-part series covers the process of creating a centre-extraction format mapping.
  19. The first of a three part series on Baselight and Daylight formats. This video explains how formats are mapped and how to create a new format with a specific mapping.
  20. We are organising a day of exciting presentations at IBC this year. The speakers are: Maxine Gervais, Senior Colourist, Technicolor, Hollywood; she will talk about her recent work on Black Panther, The Meg and Alpha. Sylvain Canaux, Colourist, St Louis, Paris; Sylvain will explain his g...
  21. BASELIGHT COLOR CORRECTION FOR MEDIA COMPOSER
  22. Visiting NAB this year? I would like to draw your attention to the following event: https://www.eventbrite.com/e/arri-and-filmlight-workshop-at-nab-2018-registration-44545711422 We will show an effortless BLG workflow between the Alexa and the FilmLight tools. And after that I will present...
  23. Hello Everyone! My new project, viideo-course in Baselight 5.0 for beginners (russian language). Alex
  24. Filmlight Blackboard 1 in very good working condition for sale -10,000$ Shipment costs from Israel on the buyer's expence. Michael@cinematyp.com WhatsUp +972544521163