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Showing results for tags 'color'.
Found 41 results
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I wonder if in today's world is such a thing as a "Favorite of color grading systems" What do you think, is there a system now, which fully meet modern requirements? ACES, HDR, 4K or 8K, 3D, VR, or something else? Mistika, Lustre, Baselight, Pablo Rio, Scratch, RAIN, Nucoda, Resolve, etc. -
I have found interesting page showing color palletes from famous movies: http://digitalsynopsis.com/design/cinema-palettes-famous-movie-colors/
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Hi. Almost any software can operate with the panel. The original or universal. How Community colorists present position is that there should be a panel necessary? As far as I have information that Steve Scott (Technicolor) does not use the panel during operation. Alex.
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Hi. I was very closely linked to the Edit. And there is an excellent article which presents 6 myths in this. http://postperspective.com/jonathan-mosers-myths-editing/ And the question came. Are there any similar myths in relation to the color correction? Alex.
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Flanders CM171 broadcast monitor for sale. In mint condition.ony been used in studio. Asking for 2800CD
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Connected Colour Workflow - Part 4
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Connected Colour Workflow - Part 3
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Connected Colour Workflow - Part 2
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Connected Colour Workflow - Part 1
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Hello everybody. I’ve a question to which no one could not give me an answer. In these studios like Technicolor, the Lustre program is used with its personal modifications, or not? Or is this Top Secret and confidential information? Alex.
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Hello everybody. I have long wanted to ask, but could not. Why DaVinci? Because - Price? Quality tools? Flexibility? Accuracy in color? Capabilities? Support? After all, once the company BM lowered the prices of their program (Davinci), then immediately appeared thousands of "colorists" in the world who "can" create "wonderful" images. Yes, of course, BM has made available to many people, the world of color correction. But BM did not create these people colorists! Now almost every other editor thinks he "colorist" and that he is able to do the work of the Colorist. It reminds me of the transition from foto-film to digital photography. When I could for a long time to build the shot and choose the composition of the shot, before you take the picture. And then I selected the frame I want to print it already. Now, I see the thoughtlessness and empty, without life pictures on the Internet. So, "Why DaVinci?" Alex.
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Hello everybody. The network recently came across the information that has insider information. BM 2 produces panels! BASE premium segment will be in the range of $ 5-7k and will work anywhere in the Mac / Win / Lin - (in progress for the replacement of the current panel) Segment lowcost LITE will be around $ 999 -2K and will work on a different software for tsvetokora ... «Tangent Element killer" Perhaps you have heard something? Alex.
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It is that beautiful time of the year when leaves fall and weather is still reasonably nice to drive about. Why not do it with iconic mini car which has just gone electric. Just drive around and meet friends, enjoy nice weather and have fun. I graded promotional film of Microlino for my Switzerland clients. Check it out.
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Hi all, here's a quick tutorial focussing on color management in SCRATCH. However, below I've posted the two in-depth tutorials about color management! Enjoy, Mazze *EDIT* Added the first part of colormanagement again... now updated for v9.
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Here's a tutorial I posted a while back, but it's still very useful today: Creating areas of light and shadow are no problem with DaVinci Resolve. PowerWindows, polygons, or curves can be a colorist's best friend when controlling where you want areas of contrast. The only thing that limits you is the simplicity of the shapes. When shooting on set, a pattern or "gobo" can be placed in front of a light source to create shapes. We can use the same technique in Resolve by using external mattes. In this tutorial I will show how to create more intricate shadows or highlights that can make your images more moody or suggest location. LINKS: Directory of Gam Patterns: bit.ly/gampatterns Images used in this tutorial: bit.ly/noirpatterns image courtesy of Marta Colpani: flickr.com/photos/martacolpani/4934952722/ Noir Shadows and Highlights with DaVinci Resolve-HD.mp4
