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I didn´t mind watching this course the first time. It exceded my expectations, really. Now editing is more simple. Thanks!
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I have just finished coloring a drama episode and the editor delivered an AAF for a shorter version of the same episode that I have to adjust. I have no experience with these things and need to take care of the conform myself this time. How do I do this the fastest way?
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Professional Color Grading Techniques in DaVinci Resolve
Paul Kako commented on Lowepost's course in The Art of Color Grading
On the low luma compression technique, on the third node, for some reason when I pull the lower black point on the curve right, it doesn't stretch the waveform like the example, it sort of compresses it. Any ideas? Thanks! -
Hollywood Colorist Walter (CSI) about his color grading process
Walter Volpatto commented on Lowepost's insider article in Color Grading
Yes it is.... short of internet failure, I will be there.... -
Hollywood Colorist Walter (CSI) about his color grading process
Willian Aleman commented on Lowepost's insider article in Color Grading
It’s true. Darren Mostyn is promoting Walter Volpatto Colorist Masterclass - 10% DISCOUNT. Hope to see some of you there. -
Found the answer. Create a folder in laptop called Database. Leave it empty. Once created copy over the contents into the folder. Restart Davinci Resolve, you will be prompted to upgrade database.
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Somehow when I tried to follow along the 1st lesson to Create Database, after selecting the folder, it says "please create an empty folder for the new database" I'm using Resolve 17.1.1
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Where can I watch movie gradings on Lowepost?
Yash Mistry replied to Yash Mistry's topic in General Discussions
Yeah gentleman, seems they have increased it. Now its for $79. But I don't mind paying. -
Where can I watch movie gradings on Lowepost?
Luca Di Gioacchino replied to Yash Mistry's topic in General Discussions
At $59, it's worth it. -
Where can I watch movie gradings on Lowepost?
Yash Mistry replied to Yash Mistry's topic in General Discussions
Thank you gentleman. -
Where can I watch movie gradings on Lowepost?
Margus Voll replied to Yash Mistry's topic in General Discussions
Usually in paid sections of the training if you are subscribed. -
Earlier I hear from someone that there are live tutorials / grading sessions that colorist do on Lowepost and some of them are already posted here. However I cannot find the link to the page. Is is possible that I haven't purchases premium so they are not showing the link? Because I just want to take a look and make sure I am not missing it. I will go ahead and purchase premium.
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RCM Workflow - White Balancing in Log space
Douglas Dutton replied to Douglas Dutton's topic in DaVinci Resolve
@Samuel Holdridge Thank you Sam, that's interesting! @Anton Meleshkevich Hi Anton and thanks for your detailed comment! What you say about YRGB is interesting and if it's the only way to work on the footage in linear fashion then it's a no brainer... I thought that in YRGB changing the timeline color space didn't change anything as when you do, your footage looks the same. Or does it? And basically what I read about it is that if you want to change your export's gamma, you do need to add a CST Timeline node to convert it. Thanks a lot for your input! Douglas -
Hey people, I'm happy to announce the new refurbish program for Tangent's Element panels 🙂 ! For many users, the panel's surface has become worn down and/or sticky over the years. What we're doing here is to take the panel completely apart, remove the old soft coating and re-lacquer it with a deep black fine-structured powder coat, which should take a couple of ages to wear down again 🙂 . The look & feel is pretty similar to the Blackmagic panels, if you have come across those. Anyways - here is the link and below are a couple of pictures to check out. ==> ht
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RCM Workflow - White Balancing in Log space
Anton Meleshkevich replied to Douglas Dutton's topic in DaVinci Resolve
RCM has a lot of bugs. I think the best is to stay in DaVinci YRGB and to set timeline colorspace according to your source footage. So for alexa source files you set timeline colorspace to Alexa LogC. So HDR pallete works as it should. And Global now behaves like WB in RAW (Gain in linear LMS) or like chromatic adaptation plugin. And for mixed cameras I'd use Color Space Transform effect. I use ACEScct timeline color space. And DCTL as IDT and ODT (it's works faster than ACES Transform effect). And global wheel behaves the same. The main reason why I use ACES is it's amazing gamu -
How close can I be to a 55" OLED?
Anton Meleshkevich replied to Sander Ges's topic in Monitors/Projectors
Horizontal width should be about 30-40 degrees of your field of vision. https://www.rtings.com/tv/reviews/by-size/size-to-distance-relationship -
Chromatic adaptation plugin is a RGB gain multiply operation in linear gamma and in one of LMS color spaces you can choose from. This is the same tool as temp and tint in RAW, except for LMS, which is probably different and specific for particular sensor in RAW.
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Sky Replacement in DaVinci Resolve Fusion
Grzegorz Mukanowski commented on sheriff's premium article in Articles - Premium
If you're working in Resolve add splitter combiner node (alt + Y) and add grain to third channel which should be Blue if you didn't change node color space -
RCM Workflow - White Balancing in Log space
Samuel Holdridge replied to Douglas Dutton's topic in DaVinci Resolve
Hey Douglas, I have also been working in Davinci wide gamut a lot myself lately and have been running into the same issue. I dont know if this will help but this has been my solution thus far, not sure if its entirely correct but I have had good results and more control over my images. I just keep my color space in rec709 and use a cst to convert my image into DWG so that i still have control over the log image since i find it comes in with something crushed from time to time. Like i said im not sure if this is right and if someone has a better workflow for DWG please respond LOL i would - Earlier
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Yes. It's worth the subscription. Deep diving into color grading and color management techniques, including an intensive workflow in ACES. The only missing piece I'm missing there is working in HDR workflow.
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Hi everyone! I've been experimenting with RCM and Davinci Wide Gamut and really enjoy it so far! However I like to do my White Balance adjustment using printer lights to the log space of the image. When I work with Prores, RCM cannot detect which camera the footage has been shot on, so I can balance the footage in the log space. However when I work from the Raw or the native camera file, Davinci will convert the footage to Rec709 2.4 (set as my output color space). And that seems to be how my footage is inputed in Resolve. In RCM workflow, How do you balance you
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Hi people, this tutorial is purely about the SCRATCH timeline (called 'CONstruct' back in the day). What many do not know: It has 3 dimensions 😉 . Once you understand how it works, it can be a huge time saver and organizational help. Cheers, Mazze
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Can't wait for it to be available to Baselight users!
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Screen Replacement in DaVinci Resolve Fusion
Benjamin Folts commented on Lowepost's course in Compositing
I think I need to do this training four more times but I am really thankful this is out there and happy to be a member here. Thank you, Lee and Lowe!