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  2. Thank you very much for every lesson .. đź’—
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  4. I haven't been able to find an answer for the discrepancy between the Scopes Histogram and the HDR Zones Histogram. I've attached 2 pictures below showing the Histogram for a Gray Scale ramp and the settings I'm using(I know they're not HDR. I was just trying to understand what the HDR Histogram is actually showing). I understand the x-axis represents the tonal range(in stops rather than the typical tones in the primaries curve) and I understand why it ends at a 100 nits (The limitation of SDR being a 100 nits) but why is the histogram an exponential curve on the HDR Zones whereas it's a strai
  5. Hi Chris, thanks for this great master class. Very helpful. I would be very happy to see a real life session. Even for 10 minutes For the metadata editing, does it mean that you grade RAW footage ? Or this lift gamma gain workflow also works on Alexa quicktime 444 log. I never be able to have better gamut curve with the color tab than with the "technical" LUT or IDT on log footage (no raw). Especially for skin tone. Thanks
  6. You need to think about whether speed or space is your primary concern. The OWC, with it's USB Gen3.1 interface is quoting around 400MB/s, but I'd be surprised if you get this with two spinning hard drives. It's more likely you might achieve this with SSD drives. The G-technology is only USB 3.0 and quotes specs around half the speed of the OWC. If you're simply working at HD, then these interfaces should suffice, but if you want to work with 4K material, you're likely to need more speed. Things like Resolve caches/renders really benefit from fast storage (like NVME storage). Yo
  7. Thank you for your answer. What do you think about OWC Mercury Elite Pro Dual RAID USB 3.1 with HDD drives WD NASware Red WD10EFRX? Will it be comfortable to work? Or, for example, use G-Technology 4TB G-DRIVE USB 3.0 Desktop External Hard Drive. I don't have a big budget. Please advise a not expensive solution.
  8. All depends on your budget. Your Thunderbolt port will allow you to connect anything from a simple external SSD drive (1 to 4TB) right up an external RAID enclosure with 6 or 8 Drive slots. The cheaper SSD drives will be SATA, so will give you around 500 - 1000MB/s. A proper Thunderbolt SSD should give you speeds similar to your internal drive. A Thunderbolt RAID system will give much better storage capacity and performance , especially if you populate it with SSD drives, although this starts to become quite expensive. RAID systems can also offer protection against a drive fail
  9. Hi guys. Recommend external storage for colorgrading. I would like to store the project on an external medium and make colorgrading from it. I have an Imac with only 512 GB of SSD. I will be very grateful to you.
  10. Dude what was the process for this grade!?
  11. Emily Haine

    The New Arri LUT

    I asked, they are aware of it but have not updated.
  12. In VR output, how do I output a project with correct dimensions to a MOV or MP4 file?
  13. Earlier
  14. Dario Bigi

    The New Arri LUT

    Is anyone aware if Arri have updated their IDT specs accordingly for those of us who use color managed / ACES workflows? And if BMD is aware of this update?
  15. Thanks Mikey, really appreciate the help it's exactly what I was after. I did come across the davinci plug in so thats good to hear you're suggesting that too. I'll check out Qscan as well. We do mostly social/online but clients are starting to want TVC versioning so this is a massive help, thanks. Jamie
  16. Hi Jamie, Typically a broadcaster has a spec which defines things like setup, clock, audio layout and end hold as well as requred metadata. For example, BBC specifies 20 seconds of lineup / tone, 7 seconds of clock and 3 seconds of black before Programme, with timecode starting and 09:59:30:00 and programme at 10:00:00:00. In your NLE export settings, there is typically an AS-11 preset where you can add metadata, things like title, audion track layout, language etc. Not all NLE's have this. AVID and Adobe Premiere are fairly simple. FCP X is a slightly different workflow. Davinc
  17. I am currently studying your course on 360VR AND STEREOSCOPIC 3D IN DAVINCI RESOLVE. Thank you for being thorough in your approach but I am having trouble with rendering out settings or using an HMD to view and final output to a a headset. The final lessons briefly touches on viewing anaglyph and much time is spent on stills converted to 3D 360. But I am needing more explanation on combining existing top bottom VR footage for an edit in Resolve and Fusion. Do you have any advice on how to approach a 3d 360 top bottom edit in VR within Resolve and Fusion?
  18. Hi Looking into delivering a few online commercials I graded for TV and wondered if anyone could help with the AS-11 workflow? How do you create the right files and how do I need to add a clock/bars to the render? Any help would be much appreciated. Cheers Jamie
  19. Looking great mate! I'll check if this is available in Australia.
  20. Hello Everyone, I am going to start a Cinema Project, can i know what will be the Timeline Colorspace and Output ColorSpace And DCP Delivery Format in Export Page
  21. Mark, I’m glad to hear you are working on the node tree development
  22. Thank you very much for your answer. It's clear now.
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