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  2. Your account is not affected by this issue and has an active subscription. Can you mail us (support@lowepost.com) with the issue you are experiencing so our support team can look into it?
  3. Thanks for your lessons. I just have a problem after flattening down the the multicam clips I have finished with all the color grading and so. With the latest version, I get two options followed by the flatten multicam clip; Copying Multicam Grades and Retaining Grades from Angles. But neither of them keep my color grading works and go back to the original log file with no colors on. How can I fix this?
  4. Hello! Please do a manual cleaning for me too
  5. So I wanted to reach out to the people who are part of the Admin team as well as Support team and leave a quick comment to say thank you so much for getting back to me so quickly as well as helping me with the issue that I kept running into which every time I attempted to renew my Subscription service I would get a message stating that I was already Subscribed.. All because my Expired Subscription basically got stuck in Limbo and wouldn’t clear itself from their System! Haha Thank you again to the Admin and Support Team for all your help! Sincerely, Cameron Brown Color Creations Studio
  6. Thank you for reaching out, sometimes when a subscription expired its "stuck" in the system and requires a manual cleanup - we tend to do that manually from time to time. I have cleared it for you.
  7. So what doesn’t make any sense is when I click on join I get a message stating that I am already Subscribed and cannot purchase anything.
  8. Hi! Just become a member and you'll get access to all the training on the site.
  9. How can I join the Color Apprentice Course that Kevin P. Mcauliffe is teaching? I would really like to participate in this course and learn everything that being taught by Kevin. Thank you!
  10. Hi, could someone please correct this? Aspects and Anamorphics footage can be downloaded here - https://app.frame.io/reviews/aeea51e4-139f-4810-85c8-cbd74f7a2ce9 - Clip Name - F003C009_190925_MN99.mxf, if you want to follow along. This is the answer after following the training link.
  11. Well, I see what you mean, but his focus class is on explaining concepts and grading workflow rather than walking through specific footage step-by-step. As long as the principles are clear, you don’t actually need the exact same footage to follow along. The goal is to understand the process so it can be applied to any context, not just to a particular set of frames. If you want step-by-step tutorials I recommend the DaVinci Resolve training, for examples the ones with Kevin to start out with.
  12. Without at least some of the material he uses, it's harder to understand what he's explaining, because it doesn't look the same in other contexts. He should at least provide a couple of frames so we can follow the same procedure; that's what he's paid for, right?
  13. To improve separation, try dialing in the contrast on a black-and-white version of the shot. Additionally, look at subtracting color from objects far away etc to help get better separation.
  14. The VFX department should verify that the delivered files match exactly what they received. Please note that full-range vs. legal-range color space differences can cause slight color shifts.
  15. Wfx team send to back files . When we import to resolve. Its seem color is shifting. Do you have any idea for that. thank you
  16. I am also wondering the same thing. @Admin Any insight on this?
  17. Hi guys, I have downloaded the project files, however, I couldn't find any AAF timeline and no ref movie either. I check very careful , and it no possible to import the AAF timeline as Mr Mcauliffe does in the training Thanks
  18. Thanks! It sounds like the color shift at angles is likely due to lens coatings or polarisation and it’s less noticeable on full-screen gradients.
  19. This focused course teaches colorists how to properly prepare, export, and manage VFX shots within a professional color pipeline. You’ll learn how to deliver clean, editable plates to VFX teams and how to receive and reintegrate VFX renders with precision. The lessons cover technical essentials every colorist needs to avoid pipeline mistakes that can cost time, money, and image quality. Many colorists overlook VFX workflow details, but incorrect exports, faulty alphas, or poor matte handling can lead to broken composites, mismatched grades, or delays in post-production. Understanding how to prep and render alpha-based footage ensures seamless collaboration with VFX artists, protects your grade, and elevates the overall project quality. The footage used in this course is available for download. Download project files About the instructor Lee Lanier has created visual effects on numerous features films for Walt Disney Studios and PDI/DreamWorks. Lee is a world-renowned expert in the video effects field, and has written several popular high-end software books, and taught at the Gnomon School of Visual Effects in Hollywood. Who is this course designed for? Post Production professionals Colorists DaVinci Resolve users Finishing artists
  20. Hi Nandita, I think color is subjective and the final grade is always a result of the production, client and the people in the room. Therefore it’s not always possible to jugde the skills of a colorist by only looking at their final work. In addition, if a colorists does well is just as much about handling the process and the people in the room. That said, if a colorist has been working on long contracts with big clients in a large facility, you can assume they do their work quite well.
  21. Looks ungraded to me, did you download everything?
  22. Hi, where will i get the raw files that you used here? i've downloaded the file which you mentioned in this project, but its already graded.
  23. Can you please share the cameras the various clips where shot with? Thank you, great lesson
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