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  1. Yesterday
  2. Jamie Neale
    Tried Nobe Display and various settings on the iPad Pro and managed to get things looking pretty good (close enough) using Zoom. I tried both share screen and the virtual video input. The virtual video / nobe display combo gave me a much better colour match. Tested on a iPad Pro 10.5"
  3. Mazze
    Hi all, SCRATCH nad Play Pro are shipping with an integrated patch generator for Light Illusion's ColourSpace CMS. This tutorial shows how to set everything up and run the display calibration 🙂 . Cheers, Mazze
  4. Ioannis Stergioulis
    Great great great color class!!! Simple approach on grading, creating looks and skin keying that is short, condesed and applicable in real life projects... something that you don't see at other complicated misinformative lessons that are out there! Thanks soooo much for your insights mr Daro and thank you Lowepost for sharing the knowledge in such a nice way!!
  5. Clément Bouchet
    Hi everyone! I am selling my micro panel (Blackmagic Micro panel) because I have bought another panel. I have barely used it because I have been using the panel we have in the office. It is in excellent condition. 😊 Price is $1000 AUS (selling in Australia ONLY/Postage cost is not included) Original price was $1373 I still have the receipt. Contact: I am living in Sydney. postprod.clementbouchet@gmail.com https://www.clementbouchet.com/
  6. Last week
  7. Jamie Neale
    Looking more into Nobe display you can load a LUT into the monitor so there's potential to create a viewing LUT for different iPads/Client monitors.
  8. Jamie Neale
    awesome thanks, tried this earlier but the screen share via zoom isn't getting close to what I'm seeing. Thinking of trying Nobe Display.
  9. Heather
    I found zoom to be desat and flat as well. However, I wasn't able to access the higher Res HD version.
  10. Heather
  11. Jamie Neale
    How do switch that feature on? or are you sharing the live feed from your second screen via zoom? noticing quite a big colour shift on an iPad when sharing through Zoom.
  12. Santiago Rivero
    The CST ofx is not supposed to work from R709 to Log. Go from your Log to Cineon Log and in the next node add the FE-LUT. Grade everything under the LUT and after just tweak. Davinci is supposed to work with the LUT last.
  13. Jeremy Miller
    This was such a cool tutorial. I kept looking at the before and after of all three shots and was amazed that I did it. Not because it was too hard, etc. just because it was a completely new approach to something I didn't even know could be done.
  14. Oscar Isaac Molina Villegas
    Thank You Luca.
  15. Luca Leocádio Soares
    Sure! See if it works for you. REC2020_p3_limiter.cube
  16. Marco Lau
    Kevin, very informative class. I have been making my notes. You touched on something in the archiving projects section. About outputting to “LTO tape”. I am a budding filmmaker and have been archiving to my NAS but I would love to hear your suggestions for other lower cost options. As I don’t want to fill my NAS with archived projects. Any recommendations? I started looking at used LTO tape drives on EBay but they attach via scsi. Looking for a more modern connection. Thanks!
  17. Oscar Isaac Molina Villegas
    is theare a chance that you can share it to me?
  18. Luca Leocádio Soares
    No it's not. We've created it on lightspace.
  19. Oscar Isaac Molina Villegas
    Hi Luca. That LUT it´s part of the Autodesk Flame library? or did you created in another software?. Cheers.
  20. Luca Leocádio Soares
    Hi Oscar, To be honest I don't believe it''s related to data or video levels. At the time the solution was to apply a lut, which was limiting the gamut, inside Autodesk Flame.
  21. Oscar Isaac Molina Villegas
    Good Day, Luca. I´m looking for a solution to this issue as well. Someone on the Black Magic Forum thinks it´s related in how Davinci Resolve handles the Data Levels. I also discovered that the gamut in the monitor signal are limited but that the gammut in the the render exceeds the P3 limits, I'm having issues with the ODT P3-D65 St2084 (1000 nits) also, mostly in compressions.It appears that the gamut limits aren´t working in the render process and is specially tricky if the container is on Video Levels. So far, the only way I´ve found is use Gamma Limiter in the last no
  22. Anton Meleshkevich
    You can export them from Paul Dore ACES 1.2 plugin
  23. Thomas Singh
    Wish I saw this After Effects course when I started out, would have saved me enormous times searching for this information. Thank you Lee!
  24. Mani sabri
    Hey Anton, Do you have this DCTLs for mac and windows ?
  25. Mazze
    Hi all, this video is interesting equally to post, than it is for virtual production. THe Sync Players feature in SCRATCH simply allows to sync the playhead of multiple SCRATCH systems, and control those systems from one master system, playing back different footage to different screens simultaneously. The remote control feature allows to control playback in SCRATCH via a web browser on the local network - for instance on your smartphone. Good stuff. Cheers, Mazze
  26. Mazze
    Hi all, this tutorial is about one of SCRATCH's strength: Metadata. Static or frame based, in a burn-in or a report, or in export filenaming. Cheers, Mazze
  27. Mazze
    Hi people, this tutorial is about the animation editor in SCRATCH and why it is as awesome as it is. Enjoy 🙂 Mazze
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