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Everything posted by Jussi Rovanperä
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I have a small delay with PCI Mini Monitor, both with Hdmi and SDI out, maybe 1 or 2 frames.
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Tint with offset controls
Jussi Rovanperä replied to Tom Evans's topic in Editing , Color grading & Finishing
You could think of the R and B channel as white balance, and G channel as tint. With printer points in Resolve you could adjust color balance by pressing (at the same time) 7 and 6 (warmer) or 4 and 9 (cooler), and then separately adjusting G for tint. -
pink is red, when it comes to hue only You're better off keying, because to get a good red, you need to drop the density, and the hue vs lum is not so good for doing that.
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And Resolve has the collaboration features already in place...
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Look at the resolve panel layouts, the buttons on the panels are some of the most used features, and see what the keyboard shortcuts for those features are.
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The contrast control and the log controls are pretty recent addition, I think resolve 9 or 10. So before that you had only lift-gamma-gain and offset. I'm using the offset-contrast-pivot in a pretty methodological way when I'm grading on my own, but I end up resorting to lift-gain when I have a client watching and things need to move fast
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Yes, and also color boost is applied before the primary YRGB corrections, and saturation is applied after primary YRGB corrections.
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Standard is 100 nits, just leave it like that.
- 3 replies
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- luminance
- brightness
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ACES with F55 Raw
Jussi Rovanperä replied to Marcelo Cosme's topic in Editing , Color grading & Finishing
With Aces in Resolve, I usually set the contrast to 0.7 or 0.8 to start with... -
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Can't you just split into two branches of corrections and blend those together with the layer mixer?
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The matte clip needs to be selected from the media pool. Do you want to use the same clip for 2 layers?
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Just duplicate the clip on the edit page.
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you can use node tree, bring in the other clip as matte and connect to the layer mixer.
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Matching A7S and Alexa
Jussi Rovanperä replied to Virgil Edward's topic in Editing , Color grading & Finishing
The colors are different, but with s-log -> log C transform, the tone curve will be similar (of course the quality of the files is different) Slog3 is quite similar to log C, while slog2 is very different. I always convert slog2 to cineon, log C, or some other well behaving log. -
Question about hard drives and still sequences: You can have performance issues If the frames are not written to the hard drive in a sequential order. That should not be an issue with SSD, right?
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Also TV's are way over 100nits and the viewing environments can be anything...
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Supression LUT
Jussi Rovanperä replied to Thomas Singh's topic in Editing , Color grading & Finishing
What Doyle used on Harry Potter is the kind of spill suppression math compositors use for removing fill created by blue/green screen, but that can be used to remove other unwanted color fill as well. So the suppression math does a better job than desaturating the unwanted color. So the contrain LUT is a different thing... -
also keeping ctrl pressed gives you half points instead of full points.
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My no.1 feature request for a long time: Allow panels to be custom mapped...