Orash Rahnema

  • Content Count

  • Joined

  • Last visited

Community Reputation

73 Good

1 Follower

About Orash Rahnema

  • Rank
  • Birthday 04/23/1980

Personal Information

  • Gender
  • Website

Recent Profile Visitors

1,052 profile views
  1. Hi Michael the problem is where you are placing your lut, most likely in aces a "normal" lut cannot be used within the node tree, you either convert it to an aces lut, which is not as simple as it said, Otherwise since it is a monitor calibration lut I would suggest it to load it to the "3d video monitor output" in the color managment tab (that should come after the odt, so should not create problems) or straight into the monitor. hope that helps you Orash
  2. Hi all! I'm planning to buy a mini panel and currently bm is giving (in Italy) a 10% discount. It's not a lot, but still isn't bad. Anyway, are there any rumors of a new panel announced after nab? Cheers Orash
  3. Hi all! It's now a couple of months that I have set up my windows workstation. So far everything it's fine, in still getting used to few things but it's running smooth. I'm finding few bugs here and there and I wanted to check was my problem or it's a common issue. For example : In the deliver page, choosing a render folder, when i right click in the explorer/finder window to create a new folder, DaVinci crashes. Once reopened it doesnt happen no more. Anyone else has this problem? Cheers Orash
  4. Hi! I have just tested my new pc with a gtx 1080Ti and trying to export a red clip 8K with a noise reduce I got two errors: "The GPU failed to perform image processing because of an error" "Error Code: 33." "The GPU failed to perform image processing because of an error" "Error Code: 77." I'm using Resolve If I disable in the preferences "use GPU for RED debayer" I don't get the errors but of course it slows down quite a lot Did anyone found a solution for it? cheers, Orash
  5. Also, if you don't check Luma and sat mapping but you trim by hand, there is not clipping after the transform
  6. Your comment on "the hobbit" thread helped me find the article I was referring to 😊 In that article it clearly state that printer point are used to control highlight and shadows. I was wandering what it meant and how was that achieved.
  7. Agree! Altought I was hoping to get a little deeper insight, but I hope some more things can come up in the comments. For example I was reading in some other article (can't find it right now, I will look for it) the use of printer lights also to control with precision different tonal range like shadows, mids, hilights. How that can be achieve? By keying the 3 tonal ranges and keep them in parallel, perhaps? It's quite long time im using printer points for my base grade, and I have to say it's the best tool as far I'm concern
  8. I'm not really a "happy new year" guy but I wanted to take this chache to thank the people behind this forum and the users involved. I have to say lowepost has become a great resource of information and I'm thankful of the help, tips and tricks and info I found here. So I wish to this forum and the users a great new year, full of nice info, tutorial and insights.
  9. With this estimate time is taken into consideration the "needs" of dop and director or are this "maximum" timing given by budget/production I work with a dop (that I really like and we have great relationship) that is not easy to work with, he just doesn't want to stop. He could work on a grade for a whole year if someone doesn't stop him, and I cannot always do that.
  10. Love this format and Kevin is really clear on explaining every bits and pieces. Thanks a lot for the efforts
  11. The way I do it is to key the highlight, add a ton of blur to the key, then lift both gamma and lift while lowering the gain to control. If needed add a bit of colour to the lift control.
  12. Hi @Jeremy Dulac! here's a quick example of how you can use the edge detect node Let me know if this it helps Orash
  13. Hi Jeremy here's my 2 cents you could try with an edge detect fed as a mask into a node and slightly color it (in resolve) in nuke you can use a lightwrap node with a very tight diffuse Orash
  14. Hi all! In "inside Lewis devis" there is a sort of shadows glow (I don't have better words to describe it) I have tried few different things but I haven't been successful in creating it. How would you do it? https://goo.gl/images/swwZxG https://goo.gl/images/bKwGr3 Cheers, Orash
  15. Hi all, I might have to lend my monitor to another colourist. Do you know if is there a way to password/pin lock it so no changes can be made at all? I have looked through out the manual and checked other forum but I haven't found the answer i need Cheers, Orash