Marcelo Cosme

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About Marcelo Cosme

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  1. ACES with F55 Raw

    Thanks Jussi.
  2. ACES with F55 Raw

    Good morning everyone! I have a material recordes up on Sony F55 RAW and we are using ACES by determination of the producer. But when done the IDT (Sony RAW) and ODT (Rec709) everything comes very contrasted and the blues always very saturated. Does anyone know the reasons for this or what to do? The web has a very limited material on this subject.
  3. Time of color correction

  4. Arri 3D Lut

    Good idea man! How do you do those tests using grayscale ramp, can you explain?
  5. Arri 3D Lut

    Thanks Emily!
  6. Arri 3D Lut

    Hello I have a project recorded in Alexa Arriraw (12 bits) to grade in Davinci Resolve. What is the benefit or "sin" of using for example the 3D lut of Arri. Using lut did I lose quality of the material limiting the process of color correction? Another doubt if you use, I must use 3D output or 3D input.
  7. Peaky Blinders, Breakdown

    Hello, this series is captured in Alexa correct? Does Simone what the process of grade of the material? You use Rec709 lut for Arri in this first exposure, as the video does not show any steps in log or Raw, I assumed that way. Thanks.
  8. Problems using Wacom Bamboo

    Hi, Tom. I've always worked with tablets, so I feel more comfortable. And I have a better control over bezier masks for example ...
  9. Problems using Wacom Bamboo

    Hello. I'm having a problem using Davinci 14 and my Wacom Bamboo. From the moment I open the Davinci the cursor disappears, being possible to access the software only by the mouse. Someone like the same problem? I use Windows 10. Thank you.
  10. My friend Ricardo Herling, Senior Colorist for a long time since before the digital, posted this question on Facebook. He posted jokingly, because he can no longer see the m31 look applied poorly. Many colorists, said not to use, others have posted NO LUTS boards ... BUT, reading the cases here at Lowepost, several colorists say they use luts. "The film was shot on the Alexa in Raw. We used an LUT to convert the C-Log into P3 color space, which also had a bit of a film emulation baked into it. Eric Whipp - Mad Max ". Cinderella was shot on 35mm Kodak film stock using anamorphic lenses. I graded using Blackmagic Resolve through a Kodak print emulation film stock and started by balancing the shots. Rob Pizzey - Cinderella ". Whenever this subject comes into play, it seems to be something forbidden, shameful ... I've heard from producers, "Marcelo, do not use any LUT because the director can see this as something unprofessional" ... Honestly, I use it when I need it, if I have a material recorded in Arri Alexa in Raw as Eric had in Mad Max, what's the problem of putting Lut from Arri to Rec709 or P3. If a Faded Look 60s is requested, what's the problem after creating the exposure, skin, light among other correction adjustments, apply a Lut Agfa Vista 400 Expired to visually assist my building of narrative, highlights, and more yellowish averages And slightly greenish shades ... (illustrative example). What is the problem of applying a Kodak 2383 FilmConvert with grain? I may be wrong, but I see the facilities and tools for a better job ... I am against the application without technical and artistic knowledge. I am against using Blockbuster packages, SuperMan look, Grand Hotel Budapest look, etc ... I did a test with a take recorded on A7s, see how the same material with the same rating, can get more organic with the CONSCIOUS use of a lut. See the difference mainly in the skin and shadows ... * In this series I did not use lut, but could have used ... It is my vision over this subject.
  11. OFX plugins

  12. OFX plugins

    Hello Paul, thank you to take the initiative in developing solutions for our dear Davinci Resolve. I need some manual or a simpler explanation of how it works. Example: ResolveMathxtra.ofx I did not understand what I should do ... Could you explain me how to use it? Thank you!
  13. Player in Windows

    What is the best player for viewing our color grading works? I have not yet found a reliable Windows platform player. In Davinci I always have a color and beautiful saturation, in the quicktime is VLC is always more washed.
  14. Time of color correction

    Thank Tom and Sam for sharing information.
  15. Time of color correction

    In a blockbuster film or tv series what is the average time of color correction? Sometimes I think we run so much due to the term of the channels and producers here in Brazil. How do you work when you receive a material to create the look?