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Showing results for tags 'resolve'.
Found 38 results
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Here is my latest work for a beer commercial. Shot on Arri Mini and graded in Resolve Studio 12.5.5 in ACEScc. Last products shots have some external mattes from Mocha Pro to get more precision in masks.
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Hello, everyone. I'm a Ravensbourne student currently studying Editing and Post Production. As I'm in my final year, I'm currently in the process of writing my dissertation, which mainly investigates how advancements in digital technologies have expanded the creative capabilities of a colourist. If any of you have time, I would love it if you could answer some of the questions I've added below. These answers will definitely help expand/reconsider/polish a lot of the points I've already made. You do not need to answer them all, but if you could answer as many as you can I would really appreciate it. Additionally, if you have any interesting points you'd like to add, or want to suggest any more questions, do not hesitate to let me know. My email is francocuen@gmail.com Why do you think colour is such an important tool in filmmaking? Why do you think black and white was not enough? Do you think being colourist is primarily a technical or creative role? Where do you see the future of colour grading headed? What are some of the new technologies/tools that the industry has to start to consider looking into? What do you think makes colour grading an art in itself? What is your opinion on HDR? What are your opinion on LUTS As third-party plugins for NLE and colour correction software becomes more user-friendly, making it easier for anyone to learn and apply colour grading into their work, why do you think a colourist will still be relevant in 5 years time?
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Hi. How does the subject seem to Resolve users here ?
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I'm selling Tangent Element Kit for 2400$. Used about 8 month. It's in pretty good condition. Kazakhstan, Almaty
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director: Sven Wedekind director of photography: Daniel Kunz grading: Margus Voll, C.S.I. Beldona lingerie fashion spring spot i graded is just out. See all the new trends and feel the warmth in spring weather slowly coming. Shot with RED Epic. Graded it in ACES with Resolve studio and delivered full camera original resolution to client in 5k. Did all that on my brand new win 10 box and not a xeon one but i7.
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I wonder if anyone has used subject for gui on Resolve? I know it is a bit ridiculous for resolve but i have other things also in mind like Fusion for that station and lare display would be good there just not sure how well Resolve would handle it. Native resolution is 3840 x 1600. Two issues i would see is curved panel and rather large dimensions and one has to think where to put video monitor and scopes. Any ideas i wold be grateful. http://www.lg.com/us/monitors/lg-38UC99-W-ultrawide-monitor
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Director: Helen Takkin Producer: Kadi Freja Felt Cinematographer: Meelis Veeremets E.S.C Color Grade: Margus Voll, C.S.I. Graded this spot for local telco christmas campaign. Shot on Scarlet. Arial Inspire 1 raw.
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It is time to feel beautiful before xmas. I just finished another version of Beldona fashion spot / short. It is hard work and someone has to do it like soma say. It was shot on RED Epic some time in August in Switzerland. Graded it in Resolve 12.5 with some Neat Video and some glow etc. I clearly need better machine for jobs like this. Model has some digital makeup also done in Resolve. With more beefy machine it would be better to go on detail for that but i hope in this case it is sufficient.
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Client: Eesti Energia Director: Helen Takkin Producer: Kadi Freja Felt Cinematographer: Meelis Veeremets Editor: Johannes Arro Color Grade: Margus Voll, C.S.I.
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We are a equipment rental and post production services company based in Manhattan looking for a resident colorist who would like a room to develop and grow his/her color correction business. The ideal colorist has the ability to bring clients to the facility for projects and also work on some internal corporate client work. We have a DaVinci Resolve system with full panels, 2 EIZO monitors and a SONY BVM 250 as well as a LG OLED 4K TV for screening. Happy to offer a tour of the facility to anyone who could use the equipment and facility.
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Here's a tutorial I posted a while back, but it's still very useful today: Creating areas of light and shadow are no problem with DaVinci Resolve. PowerWindows, polygons, or curves can be a colorist's best friend when controlling where you want areas of contrast. The only thing that limits you is the simplicity of the shapes. When shooting on set, a pattern or "gobo" can be placed in front of a light source to create shapes. We can use the same technique in Resolve by using external mattes. In this tutorial I will show how to create more intricate shadows or highlights that can make your images more moody or suggest location. LINKS: Directory of Gam Patterns: bit.ly/gampatterns Images used in this tutorial: bit.ly/noirpatterns image courtesy of Marta Colpani: flickr.com/photos/martacolpani/4934952722/ Noir Shadows and Highlights with DaVinci Resolve-HD.mp4
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Another tutorial, that might be helpful especially for Resolve users. Differences and similarities between the two are outlined, making it easier to adopt. Cheers, Mazze
