Adéyẹmi

Members
 View Profile  See their activity

  • Posts

    67

  • Joined

  • Last visited

 Content Type 

Everything posted by Adéyẹmi

  1. Adéyẹmi
    How do u colour grade 360VR, do u mind showing how u can break it down into pieces for grading. And how do u export it.
  2. Adéyẹmi
    Any thoughts on dealing with DR's harsh highlights technically? I am trying to imitate the baselights carefully compressed very soft and soothing highlight roll off. Either by DCTL, or anything. Any tricks, at all? Thanks in advance.
  3. Adéyẹmi
    Hi guys, Both BL and DR users, any thoughts on dealing with DR's harsh highlights technically? I am trying to imitate the baselights carefully compressed very soft and soothing highlight roll off. Either by DCTL, or anything. Any tricks, at all? Thanks in advance.
  4. Adéyẹmi
    Hi guys, Both BL and DR users, any thoughts on dealing with DR's harsh highlights technically? I am trying to imitate the baselights carefully compressed very soft and soothing highlight roll off. Either by DCTL, or anything. Any tricks, at all? Thanks in advance.
  5. Adéyẹmi
    Isnt the output colourspace suppose to be same as your monitor calibration?
  6. Adéyẹmi
    What backlight r u using?
  7. Adéyẹmi
    This might be a bit challenging, but it helped me. https://www.youtube.com/watch?v=awjjIY2U6Og&t=13s
  8. Adéyẹmi
    Hi Daniele. Does ordinarily exporting an ALE from Davinci into Premiere pro, give me the leverage of experiencing Davinci's primary correction algorithm in Premiere? Just the LGG correctors ^+ saturation? In your post, you mentioned that "In order to make CDL work, you need an additional Colour Management Layer that transforms the image into the correct state, apply the CDL values and eventually convert the image into another image state" Thanks.
  9. Adéyẹmi
    Better still, call it a day.
  10. Adéyẹmi
    Thanks
  11. Adéyẹmi
    Thanks.
  12. Adéyẹmi
    The brain node...is it a parallel, layer, or key mixer? Or kindly export me a dpx file, the drx wont import, thanks.
  13. Adéyẹmi
    by any chance do you know how this monochrome mode on the RGB mixer is achieved using either colour crosstalk or colour matrix on BL?
  14. Adéyẹmi
    Sorry it only mutes all nodes on your colour page. For rendering, on the export page, under video, go to advanced settings, you will find Enable flat pass, choose the Always on option.
  15. Adéyẹmi
    Of cos.
  16. Adéyẹmi
    cmd \ or alt \ These two are for split and combine. This can be done within the colour page. Simply select the two clips or more which u r tryna combine.
  17. Adéyẹmi
    Hi guys, I can't seem to set my davinci timeline to 4k and get a proper picture on the CG248, the picture blows out of proportion. Unless I leave it at HD. Am I missing something here? Do I need to acquire the 4k ultra studio. I am currently using the ultrastudio studio. My computer is a 5k imac with retina display.
  18. Adéyẹmi

    Hi Emily. I will like to ask, why do you think there is always green colour latching onto skin tones after a colour balance, and when you try to take it out it becomes too or quite red or magenta. Any prevention ideas, apart from creating a key, because it's not practical all the time. Any professional approach, or required mode of operation while approaching an image. Thanks for the education in advance. 

     

    Hi Emily

  19. Adéyẹmi
    Is it just me? Why is there always green latching onto skin tones after a colour balance, and when you try to take it out it becomes too or quite red or magenta. Any prevention ideas, apart from creating a key, because it's not practical all the time. Any professional approach, or required mode of operation while approaching an image. Thanks for the education in advance.
  20. Adéyẹmi
    How different are these results to each other in your own opinion, kindly expantiate.
  21. Adéyẹmi
    shift D
  22. Adéyẹmi
    Probably, his zoom settings for his scope is different from yours.
  23. Adéyẹmi
    Is this on Davinci 15?
  24. Adéyẹmi
    Fair enough.
  25. Adéyẹmi