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  2. Bledar Cili
    Hello, I am selling my Baselight Edition 5.0 for Avid Media Composer along with the Avid Controller MC Artist due to lack of use. The license is also compatible with Tangent Element Controller. Price: €900 for both Version: 5.0 (Does not include an update to version 6.0) If you’re interested or have any questions, feel free to contact me. idproductional@gmail.com
  3. Harold Bjork
    In DaVinci R, G, and B values are adjustable from -3 to +5. The values given works fines. Check Monochrome and use decimal format of percent. 100%/100 = 1.00, etc...
  4. Astro77
    The flashback effect in DaVinci Resolve can be created using a combination of color grading, blur, and overlays.
  5. D. Skousen
    This was a very helpful class. Thank you.
  6. Astro77
    It’s exciting to see how much the FilmLight Colour Awards have grown in just four years. The lineup for 2024 looks impressive, especially in the Theatrical Feature category with titles like Dune: Part Two and Furiosa.
  7. ahmed abdelmaged
    can any one help me to get davinci resolve flashback effect thanks you for your time
  8. hersh chauhan
    hey, does this course teaches how to create film print emulation (the industry way) ?
  9. Kishore M
    Hi Everyone, I am new to colour grading and I would like to start with courses here in Lowepost. Is there a specific learning path for beginners in Lowepost? Thanks in Advance!
  10. CHANDAN HOLLA
    Yes, I'm interested!
  11. szabolcs barta
    Hello, I would like to buy an oled tv for client monitor purposes. The much mentioned Panasonic GZ2000 or LG C2 or C3 are no longer commercially available. I would be interested to know what similar alternatives are now available in Europe in 2024 -2025? Thanks in advance for any suggestions.
  12. Daniel Duus
    Great course.
  13. Marcelo Cosme
    Hello, I'm going to do some color grading work outside my company and the client has a 27" QHD OLED monitor (2560 x 1440) for reference. I'll be working on 2 projects, one of them in 1080p (FHD) and the other in 2160p (UHD). Currently Davinci doesn't have a QHD monitoring output. The computer is using a Decklink mini monitor 4K via HDMI. What can I do? Thanks!
  14. Marcelo Cosme
    I have a question that needs to be resolved. I currently use a Decklink Mini 4K monitor with my reference monitor via the HDMI port, but I would like to have this image on an LG TV for my clients. How can I do this? Thank you!
  15. Mustafa Rumey
    Thanks you for sharing !
  16. Jatin Soni
    I am excited about this tutorial. However, I found that the footage folder is missing from the project file zip. Can you help me with it?
  17. Jatin Soni
    Hello, Thank you for the course! I'm eager to learn Fusion, but I need assistance with importing and setting up the database in DaVinci Resolve 19. All projects aren't importing, as demonstrated in your video. Could you please assist me?
  18. Daphne FilmLight
    FilmLight Colour Awards reveal 2024 winners Six colourists crowned 2024 winners as the art of colour grading is celebrated at EnergeCAMERIMAGE 2024 The winners of the 2024 FilmLight Colour Awards were announced on Sunday, 17 November at a dedicated ceremony at EnergaCAMERIMAGE in Poland. The ceremony was opened by director and 2024 ‘Guest of Honour’, George Miller, before the awards were presented by this year’s jury president, cinematographer Mandy Walker, AM, ASC, ACS. “On behalf of our immensely talented jury, I would like to congratulate the winners of the 2024 FilmLight Colour Awards,” commented Walker. “Each artist has shown a resonant point of view into how we can both view and reflect the world on our screen. It is brilliant to celebrate how different colourists can collaborate to shape different projects. Colour is a universal language, and it has been our honour to celebrate the vivid brilliance of creatives from all over the world. From stark dramatic imagery to lush vibrancy and everything in between, we are forever inspired and excited to see what is to come.” Theatrical Feature Dune: Part Two – graded by David Cole at FotoKem Furiosa: A Mad Max Saga – graded by Eric Whipp at alter ego WINNER: Poor Things – graded by Greg Fisher at Company 3 Saltburn – graded by Matt Wallach at Company 3 TV Series / Episodic Eric (season 1, episode 1) – graded by Toby Tomkins at Harbor Expats (season 1) – graded by Seth Ricart at RCO Griselda (season 1) – graded by Ian Vertovec at Light Iron WINNER: The Zweiflers (season 1) ­– graded by freelance colourist, Manuel Portschy Commercial Air Canada, Ticket to Dream – graded by Wade Odlum at alter ego McDonald’s, We the (In)visible – graded by freelance colourist, Manuel Portschy Riyadh Season: Crawford Vs Madrimov, Everything Or Nothing – graded by Philip Hambi at The Mill WINNER: Zara, SS24 STUDIO COLLECTION – graded by Tim Masick at Company 3 Music Video WINNER: Brodka x Igo, Myślę sobie Ż – graded by freelance colourist, Nadia Khairat Gomez Kaismos, Sailed – graded by Sylvain Canaux at Saint Louis Nettspend, Nothing Like Uuu – graded by freelance colourist, Brian Charles Shake Stew, Lila – graded by freelance colourist, Manuel Portschy Spotlight Asleep in My Palm – graded by freelance colourist, Andrew Ceen WINNER: La Espera (The Wait) – graded by Raúl Lavado Verdú at Misterio Color Lab Showdown at the Grand – graded by colourist, Asa Fox The Featherweight – graded by Sam Daley at Light Iron Yurt – graded by freelance colourist, Pascal Nowak at Cosmodigital Emerging Talent WINNER : Baltic, Harmonical Diffraction – graded by freelance colourist, Douglas Dutton NBA, Everyone's Game, DC – graded by freelance colourist, Ryan Urzi Nike Mexico, Piérdelo Todo, Gánalo Todo – graded by Stephanie Park at Rare Medium Woolworths, Brand Reset – graded by freelance colourist, Terry Simpson For more information on the awards, visit: www.filmlightcolourawards.com ###
  19. Omar alshalali
    watch this may help you
  20. ahmed abdelmaged
    can anyone tell how can can I make this filter on davinci resolve
  21. Lowepost
    This course focuses on developing a thorough understanding of color distribution in DaVinci Resolve. You will get a deeper understanding of how the main color correctors works through the study of the scopes and color viewers. It's also useful for colorists who want to effectively analyze and manipulate color within Fusion's powerful framework. The footage used in this course is available for download. Download project files About the instructor Lee Lanier has created visual effects on numerous features films for Walt Disney Studios and PDI/DreamWorks. Lee is a world-renowned expert in the video effects field, and has written several popular high-end software books, and taught at the Gnomon School of Visual Effects in Hollywood. Who is this course designed for? DaVinci Resolve users Compositors Finishing artists Lessons overview 01: Order of events 02: Understanding color viewers and color distribution 03: How color controls affect color attributes in Fusion 04: The color viewers in the color module 05: HDR in Fusion and color controls 06: Introduction to the HDR Wheels
  22. Admin
    Course description Learn proven strategies and take your color grading game to the next level. The DaVinci Resolve Master Tips course is uncovering the nitty-gritty technical details and insider knowledge, and will take your color grading game to new heights. You will learn techniques, shortcuts, little-known tricks and strategies that will empower you to work more efficiently, inspire, and give you more freedom to focus on your creative expression. The course is designed for intermediate to advanced users who possess a strong foundation in Resolve, and is particularly valuable for colorists working on feature films and TV dramas as it offers tailored insights to meet their specific needs. Don’t miss out on this opportunity to push the boundaries of your craft on your journey towards mastering the art of color grading. About the instructor The instructor is Dylan R. Hopkin, a renowned senior colorist from one of Europe’s leading post-production houses – Nordisk Film Shortcut Oslo. Hopkin brings a wealth of industry expertise to the table, boasting an impressive resume of feature films and TV dramas. Additionally, he brings extensive experience as an instructor, having taught color grading at advanced levels in several prestigious international film schools. Hopkin is a Certified DaVinci Resolve Trainer. Course content Lesson 01: Stay Structured Lesson 02: Smart Navigation Lesson 03: Complex Versioning Lesson 04: The Viewer Lesson 05: Still Hack Lesson 06: Tracking data and attributes Lesson 07: Essential nodes Lesson 08: Complex Key Setup Lesson 09: Miscellaneous tools Lesson 10: Post Group Tools
  23. Jatin Soni
    Thank you, Bruno. First, sorry for the delayed reply. I was busy with some production. I will have a look at the video. Thanks a gain.
  24. Bruno Mansi
    I think you're talking about a DCTL that can set middle gray? Cullen Kelly has a free Exposure Chart DCTL. He explains all this YouTube video which also provides links to download the DCTL
  25. Daphne FilmLight
    FilmLight Colour Awards reveals 2024 nominees Jury selects 25 nominees across six categories – winners to be announced at EnergaCAMERIMAGE on 17 November LONDON — 17 October 2024: FilmLight has revealed the nominees for the 2024 FilmLight Colour Awards. In their fourth year, the awards attracted over 500 entries from 46 countries across the globe and the independent jury of cinematographers, colourists and creatives have now revealed the names of the 25 colourists shortlisted across the six categories. Ahead of casting their final votes, the 2024 jury gathered to discuss the entries. During the discussion, George Miller, 2024 Jury Guest of Honour, talked to Jury President, Mandy Walker, and other jurors, about his evolving relationship with colour. “For the films I work on, we tend to get the colourist involved early,” says Miller. “The biggest problem, I think, is that visual effects can be so widespread – with people from all over the planet working on it. With this, there’s a risk of losing cohesion, and the colourist is the nexus of all these interactions. This is why I am so excited to be doing this and seeing all the wonderful work that is being completed across so many different platforms and media – it is a very significant moment and one that will develop even more.” This year’s nominees for the award for the grading of a Theatrical Feature are: Dune: Part Two – graded by David Cole at FotoKem Furiosa: A Mad Max Saga – graded by Eric Whipp at alter ego Poor Things – graded by Greg Fisher at Company 3 Saltburn – graded by Matt Wallach at Company 3 In the TV Series / Episodic category, the nominees are: Eric (season 1, episode 1) – graded by Toby Tomkins at Harbor Expats (season 1) – graded by Seth Ricart at RCO Griselda (season 1) – graded by Ian Vertovec at Light Iron The Zweiflers (season 1) ­– graded by freelance colourist, Manuel Portschy In the Commercial category, the judges chose: Air Canada, Ticket to Dream – graded by Wade Odlum at alter ego McDonald’s, We the (In)visible – graded by freelance colourist, Manuel Portschy Riyadh Season: Crawford Vs Madrimov, Everything Or Nothing – graded by Philip Hambi at The Mill Zara, SS24 STUDIO COLLECTION – graded by Tim Masick at Company 3 For the Music Video category, the judges selected: Brodka x Igo, Myślę sobie Ż – graded by freelance colourist, Nadia Khairat Gomez Kaismos, Sailed – graded by Sylvain Canaux at Saint Louis Nettspend, Nothing Like Uuu – graded by freelance colourist, Brian Charles Shake Stew, Lila – graded by freelance colourist, Manuel Portschy The Spotlight award aims to recognise the unsung talents in the industry. For this category, the nominees are: Asleep in My Palm – graded by freelance colourist, Andrew Ceen La Espera (The Wait) – graded by Raúl Lavado Verdú at Misterio Color Lab Showdown at the Grand – graded by colourist, Asa Fox The Featherweight – graded by Sam Daley at Light Iron Yurt – graded by freelance colourist, Pascal Nowak at Cosmodigital New for 2024, the Emerging Talent award celebrates the work of young colourists (age 18-35). For this category, the nominees are: Baltic, Harmonical Diffraction – graded by freelance colourist, Douglas Dutton NBA, Everyone's Game, DC – graded by freelance colourist, Ryan Urzi Nike Mexico, Piérdelo Todo, Gánalo Todo – graded by Stephanie Park at Rare Medium Woolworths, Brand Reset – graded by freelance colourist, Terry Simpson This year’s winners will be announced at the annual FilmLight Colour Awards ceremony, taking place at EnergaCAMERIMAGE in Poland on 17 November 2024. The FilmLight Colour Awards are led and organised by FilmLight in conjunction with EnergaCAMERIMAGE. They are supported by prominent international groups such as: AFC (French Society of Cinematographers), AMC (Mexican Society of Cinematographers), ASC (American Society of Cinematographers), BSC (British Society of Cinematographers), BVK (German Society of Cinematographers), CNSC (Chinese Society of Cinematographers), CSI (Colorist Society International), Imago (the International Federation of Cinematographers), ISC (Indian Society of Cinematographers), PSC (Polish Society of Cinematographers), ShotDeck and more. For more information on the awards, visit: www.filmlightcolourawards.com
  26. Jatin Soni
    Hello Folks, It may seem odd, but I can't seem to find black & white color bars or a LUT assistant anywhere online. If it's a technical term, I'm not familiar with it. Can someone help me know by another with this?
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