Soumitra Sarkar

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About Soumitra Sarkar

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  • Country
    India
  • City
    Kolkata
  • Gender
    Male

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  1. Soumitra Sarkar

    In Baselight Sony F55 Importing clips are not showing Poper S-Log

    Try yours settings... But result is like that... My DoP saying, he hasn't shootings like that
  2. Soumitra Sarkar

    In Baselight Sony F55 Importing clips are not showing Poper S-Log

    Hi, Nikola Stefanovic, can you send me the yours saying Scene Settings and Colour Space Journey as I can test it...
  3. I am using Baselight from last 5 years. Basically in our film industry we are use mostly Arri or Red cameras. But in recent time a clint to me With his film shooting Sony F55 rush to grade. But when I import those Sony F55 clips, are looking not Poper S-log. My workflow viewing colour space DCI P3 and my working colour space is P3. Basically for Arri or Red raw rush I used imput formats are No Conversion. when I used imput formats No Conversion for Sony F55 clip they are looking linear. Instead of No conversion I set Atomatic for Sony imput formats but looking not Poper log which Resolve or other grading software are doing... My DoP was upset for me because he want to grade From log file. I Used Baselight 5.1 and results is same.. But we get the Metadata which have colour temperatures and ISO... not giving option to change S-LOG 2 or S-LOG 3...Also highlight are clipping and much bright than my DOP was shoot... How I get Poper log image... Plz help
  4. Hi! When I import footage in Baselight 5.1 in workflow film light T-cam all cut view footage are looking too much clipping. Also after grading all cut view footage are looking clipping... In the time of log turelight workflow all cut view are looking fine... Plz help...
  5. Hi, I want to buy professional lut for Baselight. PlZ let me know from which can I purchase the the advanced look lut. Is the colougrading central luts are applicable for Baselight. Plz send some link from which can I...
  6. Hi, Suddenly I faced a serious problem in my 5years Baselight useing carrier. I bl 4.4m1 VideoGrade RGB GANG button getting disable or hide in both Bl software layout and Blackboard. I can't able to ungang the RGB gang button in videoGrade. I search many setting in Baselight preferance setup but I am getting fail to ungang this. Is there any setting BL. PLZ help me.......
  7. Soumitra Sarkar

    Baselight contrast

    Thanks, Andy I understand your settings. Basically In Bl5 , I set the scene setting as you said. But problem is that I have to grade most project which lots of multi camera footage in a same scenes e.g arri, red, sony and dpx. For that I set my scene input colorspace " no conversion". After that my scene contain shot are looking too much contrast and to my saturated. Basically all red footage are looking to bad contrast and clip the shots highlights. Andy, Is that ok or not..I want to grade in HDR and I am happy to grade in BL 5 If all are ok. I can use the below scene setting ? Input CS: No Conversion Working CS: Your preferred scene-referred space, e.g. Filmlight T-Log / E-Gamut or ARRI LogC WG Grade Result: From Stack Display / Render CS: Your target display, e.g. Rec.1886, DCI XYZ, DCI P3, etc. DRT: Choose one that suits Your artistic and technical needs, e.g. Truelight CAM
  8. Soumitra Sarkar

    Base Grade in Bl 5

    I had just use Base Grade, I think its cool and it's change the Gradeing history. But I am little bit confused when I read your conclusion para, You wrote In Base Grade scene setting is so important without poper scene setting Base grade are not work properly. I want to know what is the poper scene setting. Basically In India, Kolkata, we all are used to grade footage upon flat log Image. We can't do grade in linear space. Its my mental problem andalso our client are not satisfied to seeing like this procdure grading. Baselight authorise colorist said that the scene setting must are for Base grade, Viewing colour space -DCI P3 and Grading colour space -Filmlight T log and the DRt Truelight T gamut.But in this setting are footge are showing linear and I can't Do my grading in such type of linear footage. Is there any setting for Base Grade keeping footage in Flat log image. And I also want to know about description of all parameters in Base grade. I just loved the Base Grade......Please help me..
  9. Soumitra Sarkar

    Baselight contrast

    Hi! Andy , At first I want to thank for such type of Video grade, film grade and also Base grade describing. I had just use Base Grade, I think its cool and it's change the Gradeing history. But I am little bit confused when I read your conclusion para, You wrote In Base Grade scene setting is so important without poper scene setting Base grade are not work properly. I want to know what is the poper scene setting. Basically In India, Kolkata, we all are used to grade footage upon flat log Image. We can't do grade in linear space. Its my mental problem andalso our client are not satisfied to seeing like this procdure grading. Baselight authorise colorist said that the scene setting must are for Base grade, Viewing colour space -DCI P3 and Grading colour space -Filmlight T log and the DRt Truelight T gamut.But in this setting are footge are showing linear and I can't Do my grading in such type of linear footage. Is there any setting for Base Grade keeping footage in Flat log image I just loved the Base Grade......Please help me..
  10. Soumitra Sarkar

    From the Bl 4.4m1 some Grade looks are not Exporting

    Thanks
  11. Hi, In Bl 4.4m1 , I have grade a shot and make that shot look like old film ventage look. For that I used some old film texture .tiff file and a scan line image file with blend operator. And now I want to export that shot as a .BLG file but I can't do this. When I export its showing some errors ( errors occurs due to same sequence). In mean time when I export that graded shot without using old film texture its exporting the blg file I can't understand the reason....please help someone
  12. Soumitra Sarkar

    DRT / Color Space

    All above description are very much helpfull to me. I am little bit confused about the scene setting when I grade in ACES workflow.Is there need to set all the multiple camera and DPX clips " Imput colour space" setting manually. And what is DRT setting in multiple camera footage. I actually want to know what is the setting of ACES workflow in the time of grading multiple camera footage. And what is setting of "IRT" in the time of multiple type of Delivery. Basically I didn't see exacat same output in mobile display which I have grade in DCI P3/2.6 colours space. Basically I did, P3 colour space grading material offset in Rec709 1886 timeline and render in prorec file.But I think all the mobile display and monitor are in SRGB colours space.How I solved it. Plz help me