Ildus gabidullin

Still there is here such a website http://www.baselight-tutorials.com/ and lessons (GRD201 and GRD202) from FXPHD https://www.fxphd.com/details/304/

Hi all/ One the best tools inside Mistika This webinar gives a complete concept of how to use Unicolor

How to get perfect skin exposure in DAVINCI RESOLVE 14

Direct Editing

S.A.M QUANTEL announced new PABLO RIO 4.4 V4.4.0 – New Features Colorspace on Export New Tracker choices(Import from Mocha or Cloud ) Extended LUT support (Colorfront, Nucoda, Davinci,Iridas, Sony Imageworks format support ) Tangent panel support (https://s-a-m.com/support/post-and-editing/) Color - YUV legal box changes Extended 32 channel audio support 120p timeline editing support Canon 1.5 SDK Update Float clips exported to integer formats RED 6.2.2 SDK Update(This update includes support for Millennium DXL files and the new RED Gamma Curves Log3G10 and Log3G12 ) more info

Andreas Brueckl Relighting for Baselight

Thanks Andy, Great article !!!

Hybride LNX OSX WINDOWS (freeware) https://www.videohelp.com/software/Hybrid

Flame to lustre -timewarp workflows

Chris Hengeveld Lustre Tutorial 02

lightspace is doing an impeccable http://www.lightillusion.com/lightspace.html A good option Lattice and its free analogue Pylut https://lattice.videovillage.co/ https://github.com/gregcotten/pylut And also as a converter, you can use Nuke PLE https://www.thefoundry.co.uk/products/non-commercial/nuke-non-commercial/

AAF - the best solution. Also, You will help EDLMAX EDIMAX- is a small software with great features

If You are looking for a job colorist, here, sometimes post ads on. But most often it is not online job

101 Guide to HDR - Wide Colour Gamut

1101 Guide to HDR - Spatial Resolution

Hi all, Chris Hengeveld Lustre Tutorial 01

101 Guide to HDR - Perceptual Quantizer

101 Guide to HDR - Hybrid Log Gamma (HLG)

Hi all, Recently, Filmlight, has launched, Prelight On-Set Open Beta I hope this video will help to start to work with Prelight

Hi , here is a tutorial about legendary Quantel tool - revolver, how to use it

Digital Vision is pleased to announce the release of the 2016.2 version of Nucoda grading and Phoenix Restoration software. SDK Updates Arri support for Alexa Mini ● Support for Alexa Mini MXF files - Audio and Video ● Support for new 3168 format in Alexa SXT ● New colour processing version for Alexa SXT ALF-2 Looks ● New anamorphic factor 1.33 (4:3) RED support (6.2.2) ● Rec.2020 colour space support ● Support for Helium sensors ● Weapon 8K and Raven 4K support ● New HDR GAmma options HDR-2984, BT.1886 and Log3G12 ● Support for Red Wide colour Gamut ● Imagegammalog 3G10 ● Rocket-X driver 2.1.34.0 and firmware 1.4.22.18 or later ● Rocket driver 2.1.23.0 and firmware 1.1.18.0 or later Sony SDK - Change to previous behaviour New settings: ● Video SMPTE > Rec.709 ● Full Range > Rec.709 ● Cineon Log > SLog2 ● Video Log > SLog2 ● Aces > Aces New GUI features for Nucoda and Phoenix Keyboard shortcuts added for making tracks larger and smaller ● Using Alt+Up or Down arrows will make timeline tracks larger and smaller Record time splice After selecting one or multiple clips - pressing Alt+B will splice the clips to the selected track but will splice the clips based on their in code. This way it is easy to paste VFX clips where they belong based on their start timecode. ● This mode always overwrites In and out points are respected when splicing: ● If both in and out are set and the material falls inside the range it will be spliced ● If the in or out points are shorter that the source, but in a valid timecode range, the source clip will be trimmed and pasted between the in and out points. ● If the in and out points are not in a valid range an error dialog will be shown. Progress bar for XML and AAF imports When importing AAF or XML files there will now be a progress bar while importing, import functions can also be cancelled using the cancel button on the progress bar. Improvement when moving multiple clips on the timeline Moving many clips on the timeline is now much faster. LUT exports Using the export LUT menu, users can now export both a LUT and an Inverse LUT. This is particularly useful for restoration workflows where a LUT is applied during the restoration work, but the LUT need to be removed afterwards. ● Only 1D LUT’s are supported - no colour transforms ● The Inverse LUT function will only be available if the 3D LUT option is deselected ● v2 CMS and HDR is supported for export - for V2 files the range is restricted between 0 and 1 ● No negative values are supported ● If an invalid Master Curve is used the export will report an error. ● Remember to specify the layer to be exported ACES 1.0.2 New Look Management Transform ● A new LMT has been added to the CMS/ACES 1.0.2/LMT folder ● LMT.Academy.ChromaFix.1.0.2.cms ● It is to be used as a LUT in an ACEScc project, ensure that the “Apply in Linear ACES” button is selected when using this LMT. ● It is designed to mitigate an issue with certain cameras that seem to generate colour values that are not correctly rendered in an ACES project. This can include blues and cyans, reds. ● Older ACES version LMT’s have been updated. For those of you grading in ACES regularly, we have a beta version of ACES with ACEScct colour space available.

Filmlight Prelight Open Beta Filmlight, began open beta testing, Prelight. Prelight is a new Mac OS X application designed to allow DoPs and other creatives to author, apply and modify looks(.blg) in pre-production, or during production and post. http://www.filmlight.ltd.uk/support/customer-login/prelight_sp/prelight_beta.php

Filmlight Prelight Open Beta Filmlight, began open beta testing, Prelight(version 4.4.8939 ). Prelight is a new Mac OS X application designed to allow DoPs and other creatives to author, apply and modify looks(.blg) in pre-production, or during production and post. New features Added support for reading record flag from Panasonic Varicam 35/LT cameras. To use, select "Panasonic Varicam" as the Camera Type for the channel conected to the camera in the Channels view. Added support for Camera ID, ISO, White Balance and Exposure Time from Panasonic Varicam 35/LT via SDI. Currently this information is only available on the primary SDI outputs (1-4) and not the monitoring outputs of the Varicam 35. Simplified the New Project dialog to remove the "Grade Result Space" and "Apply Inverse DRT" options. These settings can still be changed in the Project section of the Settings view. Improved layout of Settings view to identify which sections are related to the Prelight application, and which sections are related to the current project. Improved performance of Try/Apply operations. http://www.filmlight.ltd.uk/support/customer-login/prelight_sp/prelight_beta.php

ACES In Lustre ACES in Flame