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Everything posted by Alex Prohorushkin
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- color managment
- color
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(and 1 more)
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In Germany 300€.
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Adobe as always vs Apple. First one released fcpx.10.3, followed by other v.2017 ... "Its a race"
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Digital Vision is pleased to announce the release of the 2016.1 version of Nucoda grading and Phoenix Restoration software. This release offers a huge range of new features as well as some important bug fixes. Please be sure to read the Features and Benefits document there is very important information on new features. Just some of the many new features in 2016.1 AJA Kona support for video and audio capture Precision and Interface updates ACES 1.0.2 SDK Updates for Sony SDK Updates for Red Changes to MXF file exporting and naming of DNxHD/R DVO threads - Increase in speed for most DVO tools LUT’s - Support for importing and exporting .cube lut format EDL Enhancements - Layer and Matte additions Changes to the Router tool Use any layer as input for current layer New tools in the User FX and Colour layers Matte Paint Matte Diff New DVO tool - DVO Dry Clean New file formats supported for Export via the Extended Formats For download information, please log on to the Google forum Digital Vision on Google groups If you are not a forum member please sign up and well be happy to welcome you.
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Hi everyone. Lot of us know (or have heard) that in cinema and theatre p3 color space is usually used when projecting images to screens. It is very different from Rec 709 color space. Should i pay much of my attention and spend money for P3>Rec.709 adaption if people anyway can't see it on the screens of their home TVs? Talking with one of my collabs i heard something quite interesting. He said that much of the color guys all over the world work inside Rec.709 color space because when Rec709 is converted to P3 almost nothing changes for the eyes of the audience because p3s range is much wider than the Rec709s one. What can't be said about P3 to Rec709 converting because it takes much effort to place wide range of P3s in Rec709. Understanding that this approach is quite wrong, I guess that for many movies this way is viable. What would you say? Here is comparative graph of the color spaces.
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Presentation Review
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Thanks! Very cool) Rest for eyes.
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- grading
- commercial
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Oppppssss))) its amazing devices. I want 3 pcs))
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Color Palettes
Alex Prohorushkin replied to Filip Zamorsky's topic in Editing , Color grading & Finishing
And another web page too: https://www.visualnews.com/2013/04/29/movies-in-color-film-stills-broken-down-by-color/ -
Color Palettes
Alex Prohorushkin replied to Filip Zamorsky's topic in Editing , Color grading & Finishing
And another web page too: http://film-palettes.tumblr.com/ -
Top Secret of the studios
Alex Prohorushkin replied to Alex Prohorushkin's topic in Editing , Color grading & Finishing
Hi Mazze. What does "panel mapping for Lustre" mean? It's interesting. -
Color Palettes
Alex Prohorushkin replied to Filip Zamorsky's topic in Editing , Color grading & Finishing
Very Nice))) Thanks. -
New LG OLEDs reaching Broadcast Monitor Standards
Alex Prohorushkin replied to Bruno Mansi's topic in Monitors/Projectors
Add to this topic. This is impressive for monitors that price out at $5,000 for the 65' and $3,500 for the 55'. http://nofilmschool.com/2016/10/lg-oled-gives-you-reference-quality-110th-price -
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Hi Fernando. I'm sorry, but your answer (feedback) to Tom Evans, but your quote from Nicolas Hanson. Tom are not Nicolas. respect, Alex
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Hi. Almost any software can operate with the panel. The original or universal. How Community colorists present position is that there should be a panel necessary? As far as I have information that Steve Scott (Technicolor) does not use the panel during operation. Alex.
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Frequency Separation- Advance Beauty Technique
Alex Prohorushkin replied to Ildus gabidullin's topic in Mistika
Maybe you have same tutorial into Baselight?