Abby Bader December 22, 2017 Share December 22, 2017 I just want to share this with you, colored by Peter Doyle. What an artistry, beautiful work. 5 Link to comment Share on other sites
Mike Leisegang December 23, 2017 Share December 23, 2017 The real thing here to take home is the absolute control over the image they have especially in the blacls. Of course the key! 1 Link to comment Share on other sites
Jussi Rovanperä December 23, 2017 Share December 23, 2017 I was not fond of this look, but it was interesting to read what was the rationale behind it, as if the film was shot in the 60's, left in the rolls, and found 50 years later. 2 Link to comment Share on other sites
Amada Daro December 23, 2017 Share December 23, 2017 (edited) It was shot in 35mm, and they called it a variation of Technicolor two strip where they built blue by remapping red and green. The original blue channel was not used at all. Edited December 23, 2017 by Amada Daro 1 Link to comment Share on other sites
Nicolas Hanson December 23, 2017 Share December 23, 2017 How can I block blue and remap red and green? Link to comment Share on other sites
Dylan R. Hopkin December 24, 2017 Share December 24, 2017 If I remember correctly Mr. Doyle mentioned using a Colour-matrix to block blue (Baselight), either in the Colorist Podcast or the two interviews done by fxguide. He also talks about manipulating certain colours with matrices in Harry Potter. https://mixinglight.com/color-tutorial/colorist-podcast-episode-009/ https://www.fxguide.com/fxpodcasts/the-art-of-grading-harry-potter-peter-doyle/ https://www.fxguide.com/fxpodcasts/color_in_harry_potter/ Without actually have tried, using Resolves RGB-mixer might help you some of the way. Baselight has more accessible matrix-tools from what I have heard. merry xmas 1 1 Link to comment Share on other sites
Thomas Singh January 9, 2018 Share January 9, 2018 Peter Doyle talks about Supression LUTs, any idea what that is? Link to comment Share on other sites
Nikola Stefanovic January 10, 2018 Share January 10, 2018 I had hard time watching this film. I've found look so disturbing and texture so obviously manipulated. 1 Link to comment Share on other sites
Mike Leisegang January 10, 2018 Share January 10, 2018 I'm not sure if this technique is that unique. Link to comment Share on other sites
Aaron Rosapepe January 23, 2018 Share January 23, 2018 (edited) Great film. Oscar Isaac is terrific! Edited January 23, 2018 by Aaron Rosapepe Link to comment Share on other sites
