Search the Community

Showing results for tags 'red'.

  • Search By Tags

    • red ×
    Type tags separated by commas.
  • Search By Author

Content Type





Filter by number of...

Found 7 results

  1. .. I found colorist Steven Bodner's approach to a "reversed Dolby Vision" process really unique and DP Darren Lew's approach to the use of a wide color gamut very notable. ___________________________________________________________________________________
  2. Red Scarlet r3d files are offline in the media browser and pool. No thumbnails or anything. I've tried importing timelines in both AAF and XML forms from Premiere where the footage is active but Resolve can't even load a thumbnail...
  3. Hi. Graded a job last year that i have not shared before. It is a bit colorful. Shot on Red Epic 6 k and graded in Davinci Resolve Studio with ACEScc. Director/DoP: Daniel Kunz Camera: Sven Wedekind Colorist: Margus Voll, C.S.I.
  4. I just finished grading BELDONA: summer 2017 «Escape» for Cheese & Chocolate Film. Yet again good example how remote work is done in simple way. This spot is produced in Switzerland, shot in Mexico, edited in Switzerland, post and grading done here in Estonia and final delivery to Switzerland aga...
  5. director: Sven Wedekind director of photography: Daniel Kunz grading: Margus Voll, C.S.I. Beldona lingerie fashion spring spot i graded is just out. See all the new trends and feel the warmth in spring weather slowly coming. Shot with RED Epic. Graded it in ACES with Resolve studio...
  6. Great news! Time to be proud again. About year ago or bit more i worked as a colourist on film House of Others, director Russudan Glurjidze and cinematographer Gorka Gómez Andreu. After ASC event we got information that Gorka Gómez Andreu has been awarded Spotlight Award, award for Outstan...
  7. I have a mixed timeline with both Alexa 65 and RED Epic footage. I would like to know if I could do anything to match the footage before applying my main correction? Any transform LUTs, gamma corrections or color space transformations that could help bringing the footage closer to each other?