Popular Post Margus Voll March 1, 2017 Popular Post Share March 1, 2017 Still frames from short film "Pobeda" i graded Director Vladislav Mukovnin, DOP Ermins Baltais, Producer Diana Põdra It was shot on RED Epic and graded in Davinci Resolve Studio 12.5 using ACES 7 Link to comment Share on other sites
Orash Rahnema March 11, 2017 Share March 11, 2017 I love how it looks "silver" and not black and white. I have never tried to grade black and white in ACES, how did you find working on it, did it have any benefit? Link to comment Share on other sites
Margus Voll March 11, 2017 Author Share March 11, 2017 I went with ACES as i like color management there better and some material was shot in color also but half of it with red glass filter. For me it felt logical way to do it as i do with all my latest grading jobs. 1 Link to comment Share on other sites
Thomas Singh March 12, 2017 Share March 12, 2017 What's the benefit of red glass filter? Do you mean warm gels? Link to comment Share on other sites
Margus Voll March 12, 2017 Author Share March 12, 2017 I mean actual red glass filter in matte box to help with some details. This was something that came out of camera after that filter. No other colors at all. Link to comment Share on other sites
Orash Rahnema March 12, 2017 Share March 12, 2017 (edited) It definatelly has the black and white red filter look above all the first frame you posted, I thought it was done in resolve tho, using rgb mixer or something like that. I mean, it's a really tough decision to take on set, to filter so heavy the image knowing that theres not coming back. I really respect cinematographers like that. Margus, having the image already red filtered did help with noise? I have done quite few b&w treatment and many times i go towards the red filter look, but most of the time i have to stop long before i would like (i'd love to get a b&w image as you got) as the image gets really noisy. Edited March 12, 2017 by Orash Rahnema 1 Link to comment Share on other sites
Margus Voll March 12, 2017 Author Share March 12, 2017 Usually i got noise if under exposed like the shots inside. Outside with red filter not so much. At times when pushed really hard i saw some patterns emerge and i tried to avoid that but not the regular noise but some not so common patterns. Link to comment Share on other sites
Orash Rahnema March 12, 2017 Share March 12, 2017 yes exactly, not proper noise, more uncommon pattern, i guess it's the lack of information of the single channel that emerge. Link to comment Share on other sites
Margus Voll March 12, 2017 Author Share March 12, 2017 I think i had it more on coloured shots tho. Link to comment Share on other sites
Orash Rahnema March 12, 2017 Share March 12, 2017 yeah, sorry, that's what i meant. I have never had shots that were filtered in camera. I always worked on normal shots that i was treating like red filtered, using tools like rgb mixer or splitter and combiner getting rid of the green and blue channel. But i always ended up needing to have the effect dialed down quite a lot because uncommon pattern were picking trough. So it was interesting to see and know that shots filtered in camera were working muck nicer and you were able to achieve suck black skies and silvery skins Link to comment Share on other sites