dermot.shane February 3, 2017 Share February 3, 2017 the manual points me to looks/none/advanced, and that does reveal L*a*b controls, but unless i select one of the presets the controls will not change anything.. what i really want is to have access to L*a*b without useing a preset thoughts? idea's on how to get to L*a*b in BLE? 2 Link to comment Share on other sites
Nicolas Hanson February 12, 2017 Share February 12, 2017 Welcome Dermot! Maybe @Andy Minuth or @Andreas Brueckl can help you with this one? Link to comment Share on other sites
Andy Minuth February 14, 2017 Share February 14, 2017 I am not quite sure what you are driving at. But with the 'Colour-Space' operator you can convert the image to 'RLab' which is related to CIE L*a*b*. The channels will be mapped like this: R -> red-green compononent G -> luminance component B -> blue-yellow component I am using this space sometimes for special treatment. I recommend to convert back to your working space after your RLab operations. 3 Link to comment Share on other sites
dermot.shane February 14, 2017 Author Share February 14, 2017 that's a good idea, will give it a shot today thanks Andy 1 Link to comment Share on other sites
Anthony Raffaele February 15, 2017 Share February 15, 2017 I do the same as Andy. I would create a layer and the first operator would be colorspace to rlab and then the last is rlab to working colorspace. Then put your video and film operators in between. This is particularly helpful in trimming illegal or negative values in an aces colorspace. 4 Link to comment Share on other sites
dermot.shane February 15, 2017 Author Share February 15, 2017 that is excatly what i did, works as expected.. I wanted to test replacating a workflow i use in Resolve, thanks 1 Link to comment Share on other sites
Thomas Singh February 15, 2017 Share February 15, 2017 Hi all! Why do you need access to LAB for and how do you set it up in DaVinci? Link to comment Share on other sites
Mark Mulcaster February 17, 2017 Share February 17, 2017 (edited) On 15/02/2017 at 11:52 AM, Anthony Raffaele said: I do the same as Andy. I would create a layer and the first operator would be colorspace to rlab and then the last is rlab to working colorspace. Then put your video and film operators in between. This is particularly helpful in trimming illegal or negative values in an aces colorspace. Other than the aforementioned reason, is there any particular reason\benefit for converting to RLAB? Edited February 17, 2017 by Mark Link to comment Share on other sites
Anthony Raffaele February 17, 2017 Share February 17, 2017 Obviously you could color in lab color space, I think it's worth playing around and seeing if you like the feel of the controls. It should feel very different. I personally have tried it and found its use to mainly be in trimming values. 2 Link to comment Share on other sites
dermot.shane February 17, 2017 Author Share February 17, 2017 (edited) In Resolve is do use L*a*b to grade, i've had enough seat time with client attended sessions to feel comfortable with it, and in Resolve find i can get to a decent base grade quickly withe these tools I'm not sure the RLAB in Baselight and the L*a*b in Resolve are the same, likely the conversions are not, and the feedback is not quite the same, not better or worse, just seems to be not the same but i'll need to test properly, or wait for v5 and Basegrade that seemingly takes some cues from L*a*b's non-linear responce that mimic's the way the eye sees colors Edited February 17, 2017 by dermot.shane spelling errors Link to comment Share on other sites
Thomas Singh December 30, 2017 Share December 30, 2017 What does the R or CIE stand for? Link to comment Share on other sites
Jussi Rovanperä December 31, 2017 Share December 31, 2017 CIE is the organization that is behind most of the "modern" color science. Rlab is just baselight's slightly modified version of CIE Lab colorspace. Link to comment Share on other sites
Fady melek January 20, 2018 Share January 20, 2018 Andy Minuth I can not find LAB color space on my list in baselight 5 , any info ? Link to comment Share on other sites
Andy Minuth January 23, 2018 Share January 23, 2018 On 20/01/2018 at 8:58 PM, Fady melek said: Andy Minuth I can not find LAB color space on my list in baselight 5 , any info ? I guess we helped You via support. Link to comment Share on other sites
Fady melek January 23, 2018 Share January 23, 2018 Yes it got it thanks Andy Link to comment Share on other sites
Mark Mulcaster February 15, 2019 Share February 15, 2019 Apologies to be the necroposter and restart this topic but this video gives you an idea of what you can do in LAB. One thing that ive always wondered and not been able to do is split out the colour channels like he does in Resolve. It was something i was able to do in Mistika but i cant seem to do it on good ole BL. Link to comment Share on other sites
Bob Chorley May 6, 2019 Share May 6, 2019 You can use the Colour Matrix operator - add it between a pair of Colour Space operators so your stack looks like this: [Colour Space (Convert to RLab)] [Colour Matrix] [Colour Space (Convert to Working Colour Space)] Now you can adjust the mix of channels using the Red, Green and Blue output sliders - remember that the RLab channels map as follows: L - green sliders a - red sliders b - blue sliders You can of course add other operators between the Colour Space convert operators too. Link to comment Share on other sites
Alexander Ligai June 22, 2020 Share June 22, 2020 On 1/23/2018 at 4:45 PM, Andy Minuth said: I guess we helped You via support. Hello, I have «Baselight for AVID 4.4» and can't find LAB or Rlab in «Colour Space»(((( Link to comment Share on other sites
Mark Mulcaster June 23, 2020 Share June 23, 2020 I think that may have been mentioned else where (infact i may have asked that too at on point) but if you hold down shift and the you can' find it in the expanded list then you'll need to contact Baselight support to request it. Link to comment Share on other sites