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  1. FilmConvert is launching our new plugin CineMatch, designed for all filmmakers working with footage from multiple camera sources. CineMatch helps you quickly and easily match footage from over 50 different cameras and manufacturers, including Sony, Canon, Blackmagic Design, Panasonic, Nikon, RE...
  2. Hi guys, I am having sleepless nights not being able to figure out how to achieve this look: https://www.youtube.com/watch?v=TcJ80-B98Qs&t=541s (from 12 seconds onwards, but particularly the outdoors parts around 8 minutes). I'm shooting with the same camera, Sony A7SII, in CINE4. Obvious...
  3. Do you have any guide on how to export EDLs or XMLs from Premiere Pro CC to Davinci Resolve? I guess that XML can transfer more data than an EDL, so that is what I should use?
  4. I have imported my media into Premiere Pro CC and it looks like the media needs to be buffered before use everytime I click a new clip. Meaning that some of the clips show this yellow screen a second or two before I see the actual footage. The machine is a beast and the media is DNxHD36, and should...
  5. Hello, everyone. I'm a Ravensbourne student currently studying Editing and Post Production. As I'm in my final year, I'm currently in the process of writing my dissertation, which mainly investigates how advancements in digital technologies have expanded the creative capabilities of a co...
  6. MXF is the native format for Avid, meaning they can be read without transcoding directly from the AvidMediafiles/MXF/# folders. That saves me a lot of time compared to importing files and even fast-importing files. How does this work in Adobe Premiere? Can Premiere work with a drag-and-drop folder s...