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Found 3 results

  1. Andy Minuth


    The first teaser of Housewife got released. Probably my favourite work on a feature this year. It was shot on Alexa with ARRI / Zeiss Master Anamorphics and lots of haze on the set. A handful of shots were done with a Blackmagic Cinema Camera. Graded on Baselight. The director Can Evrenol asked me for a vintage look for that film. So I diffused the highlights, selected a soft scaling algorithm and created a custom Show-LUT based on several film print emulations. Additonally to counter the flatness caused by the haze, we added lots of grain and some dirt to the picture, especially in the highlights. Director: Can Evrenol / DP: Tayman Tekin / Gaffer: Mehmet Cemal Toz / Starring: Clémentine Poidatz, David Sakurai BTW: Better watched in fullscreen instead of with the white background of the forum.
  2. Hello, maybe something different and not so into colour... but how the features you work on will be finished? Is it done like in Flame or Smoke? Or is it done in the Grading-system? Our Finishing-Tool is Baselight but there can be some problems with it, especially with Audio you can get in trouble. I just like to hear how your experience is. Best regards from Munich Aljoscha
  3. Great news! Time to be proud again. About year ago or bit more i worked as a colourist on film House of Others, director Russudan Glurjidze and cinematographer Gorka Gómez Andreu. After ASC event we got information that Gorka Gómez Andreu has been awarded Spotlight Award, award for Outstanding Achievement in Cinematography by the American Society of Cinematographers. It was very interesting project to work with and i’m really happy that the film got this kind of award. Love the exceptional work Gorka did on the set and the dynamics we had with Russudan in grading. Always happy to work with professionals. All shot on Red Epic and graded in Davinci Resolve Studio