Moein December 2, 2020 Share December 2, 2020 Hello First I’m really appreciate it for reading and response to my questions. I’m searching on internet for my very very complicated issue but I can not find any solutions. I shoot with Sony A7 III with the Ninja so I have Apple Prores 442HQ files, 1- I would deliver my project for DCP and D-Cinema and also I would you deliver my project for web or Netflix, Could you please tell me your suggestion? 2- how can I change my setting for realtime playback? With my system and any node just I have 6 Fps. Here I attached some photo about my setting. now i use Mac mini 6c i7 + Razer Core X Chroma + AMD Radeon RX 5600XT with Blackmagic Radeon Pro 580 on MacOs BigSur. Thank you. All the best. Link to comment Share on other sites
Rogério Moraes December 13, 2020 Share December 13, 2020 Hello I'm not familiar with theses tabs. Are you using Resolve 17? The color management scheme has changed? On 16, I 'm used to bypassing the input color space. At the timeline level I use the "biggest" color space on my deliveries (in this case, P3-DCI, since I have P3-DCI monitoring capabilities...if you don't, you should always use your output for color grading according to your monitor). Doing so, im able to output TIFF X'Y'Z' 16 bit for DCDM ( the Digital Cinema master) or an already compressed j2k file (X'Y'Z' color model), by outputting the color space to P3-DCI. This will be the "master output" to DCP. When delivering for streaming or broadcast , the most comum output will be rec709 (gamma 2.2 or 2.4). You will have two "masters". One for D-Cinema and other for web/ TV/ streaming. Don't know why you are having real playblack capabilities. I'm about to do a post on double deliveries like you ask... but with different problems. Link to comment Share on other sites
