Stefano Barozzi

Bugs

Hi there Anybody knows when the resolve 17 studio non beta, with few bags fixed, it'll be available? Cheers

Thanks Amada Just trying to figure it out the point.

Hello Usually I export by a 709 color space a DNxHR 444 as a full levels and everything works fine. Yesterday using the wide gamut of resolve 17 I did the same but I find out it works good as a video levels instead a full... Any ideas? Cheers

Thanks Rogerioo I realized that if you are not in RCM the best way is to keep the timeline 2.4 and to make a node working on the entire timeline with a CST open FX that change the 2.4 gamma to 2.2 for the WEB it works fine.... Even if the best way is to set the project in RCM at the beginning. Thanks

Hello the director i'm working with is not happy about the h264 .mp4 file I'm getting converted by Adobe Media encoder from the DNxHR HQX master color, that is fine. We are in a very low light mood, working in a timeline 709 2.4 gamma, and the compressed file levels are not so precise. I tryed an sRGB timeline, I tryed also a 709A (Apple IOS color space) using even the TAG in the delivery advance setting before to re-export the DNxHR HQX but all the files look the same, it is frustrating. I even tryed to export directly the h264 from Resolve with different color space timeline, I can't see any difference. Where I'm doing wrong? I'd would like just to be sure I'm delivering a compressed file for the web with the best color space set up I can. Cheers

Hello anybody knows how to random rotate the letter of a 3D text in fusion? cheers

I got it, I have to export the AAF and then re-import it with "ignore file extensions when matching" changing the research folder and it works...cool enough

Hi guys my issue is "linking proxy to hi res material" ... unfortunately it doesn't work if I have to relink .braw to .mov changing the source folder any idea to help me? thanx