the director i'm working with is not happy about the h264 .mp4 file I'm getting converted by Adobe Media encoder
from the DNxHR HQX master color, that is fine. We are in a very low light mood, working in a timeline 709 2.4 gamma,
and the compressed file levels are not so precise.
I tryed an sRGB timeline, I tryed also a 709A (Apple IOS color space)
using even the TAG in the delivery advance setting before to re-export the DNxHR HQX but all the files look the same, it is frustrating.
I even tryed to export directly the h264 from Resolve with different color space timeline, I can't see any difference.
Where I'm doing wrong? I'd would like just to be sure I'm delivering a compressed file for the web with the best color space set up I can.