Search the Community

Showing results for tags 'delivering compressed files'.

  • Search By Tags

    Type tags separated by commas.

  • Search By Author

Content Type


Categories

  • Insights
  • Courses
  • Case Studies
  • Color Grading
  • Colorist Stories
  • Discounts
  • Video Gear
    • Color Grading (Archived - Do not use)
  • Workflow

Categories

  • blog
  • Davinci Resolve
    • Editing & Sound
    • Workflow
  • After Effects
    • Visual Effects
  • Assimilate Scratch
  • Nuke
  • Case Studies
  • Fusion
    • Visual Effects
  • Fusion Copy
  • Baselight
    • Color Grading
  • Test
  • Color Grading
    • The Art of Color Grading
    • Color Grading Masterclasses
    • Workflow
    • legacy
  • Editing
    • Editing & Sound
    • Workflow
  • Visual Effects (Legacy)
    • Introduction
    • Visual Effects
    • Paint and cleanup
    • Beauty
    • Compositing
    • 3D/VR/360
    • legacy
  • Motion Design
    • Hud Element Design
  • Post Workflow
    • Camera Specific Workflow
    • Color Management
    • Conform
    • Dailies workflow
  • insider
    • Finishing & VFX

Forums

  • Post Production Tools
    • Editing , Color grading & Finishing
  • Technology
    • Hardware
    • Software
  • Lounge
    • General Discussions
    • Showroom
    • News
  • Archive
    • Suggestions and feedback

Product Groups

  • Test
  • Home
  • Internal
  • Legacy
  • Appctrl

Find results in...

Find results that contain...


Date Created

Last Updated

Filter by number of...

Found 1 result

  1. Stefano Barozzi
    Hello the director i'm working with is not happy about the h264 .mp4 file I'm getting converted by Adobe Media encoder from the DNxHR HQX master color, that is fine. We are in a very low light mood, working in a timeline 709 2.4 gamma, and the compressed file levels are not so precise. I tryed an sRGB timeline, I tryed also a 709A (Apple IOS color space) using even the TAG in the delivery advance setting before to re-export the DNxHR HQX but all the files look the same, it is frustrating. I even tryed to export directly the h264 from Resolve with different color space timeline, I can't see any difference. Where I'm doing wrong? I'd would like just to be sure I'm delivering a compressed file for the web with the best color space set up I can. Cheers