Hi there guys,
Brand new to the forum today.
Have a quick question about ACES. I have been working in Post-Production for a few years, but ACES is somewhat new to me.
I am grading a Documentary film that is a mix of Sony FS5, Sony FS7, and masses of Archive footage from different sources being delivered in Rec709. The Doc is being graded in P3 in the cinema. Also there will be some exchange of shots with the VFX house.
Question: Is there anything that speaks against using an ACES workflow in a situation like this. Not many of my colleagues have used ACES before so if I get in a tight spot, there wouldn't really be anyone who could give me advice. Can anyone see any potential problems?
Also: In my understanding, after doing a Cinema grade in P3, to then move over to the HD Mastering, I would just need to swap out the ODT, and do some minor corrections? Am I correct in that? Does the change of ODT also take the gamma change into account?
Thanks for any help,
Jeffrey