Soumitra Sarkar

Thanks, Andy I understand your settings. Basically In Bl5 , I set the scene setting as you said. But problem is that I have to grade most project which lots of multi camera footage in a same scenes e.g arri, red, sony and dpx. For that I set my scene input colorspace " no conversion". After that my scene contain shot are looking too much contrast and to my saturated. Basically all red footage are looking to bad contrast and clip the shots highlights. Andy, Is that ok or not..I want to grade in HDR and I am happy to grade in BL 5 If all are ok. I can use the below scene setting ? Input CS: No Conversion Working CS: Your preferred scene-referred space, e.g. Filmlight T-Log / E-Gamut or ARRI LogC WG Grade Result: From Stack Display / Render CS: Your target display, e.g. Rec.1886, DCI XYZ, DCI P3, etc. DRT: Choose one that suits Your artistic and technical needs, e.g. Truelight CAM

I had just use Base Grade, I think its cool and it's change the Gradeing history. But I am little bit confused when I read your conclusion para, You wrote In Base Grade scene setting is so important without poper scene setting Base grade are not work properly. I want to know what is the poper scene setting. Basically In India, Kolkata, we all are used to grade footage upon flat log Image. We can't do grade in linear space. Its my mental problem andalso our client are not satisfied to seeing like this procdure grading. Baselight authorise colorist said that the scene setting must are for Base grade, Viewing colour space -DCI P3 and Grading colour space -Filmlight T log and the DRt Truelight T gamut.But in this setting are footge are showing linear and I can't Do my grading in such type of linear footage. Is there any setting for Base Grade keeping footage in Flat log image. And I also want to know about description of all parameters in Base grade. I just loved the Base Grade......Please help me..

Hi! Andy , At first I want to thank for such type of Video grade, film grade and also Base grade describing. I had just use Base Grade, I think its cool and it's change the Gradeing history. But I am little bit confused when I read your conclusion para, You wrote In Base Grade scene setting is so important without poper scene setting Base grade are not work properly. I want to know what is the poper scene setting. Basically In India, Kolkata, we all are used to grade footage upon flat log Image. We can't do grade in linear space. Its my mental problem andalso our client are not satisfied to seeing like this procdure grading. Baselight authorise colorist said that the scene setting must are for Base grade, Viewing colour space -DCI P3 and Grading colour space -Filmlight T log and the DRt Truelight T gamut.But in this setting are footge are showing linear and I can't Do my grading in such type of linear footage. Is there any setting for Base Grade keeping footage in Flat log image I just loved the Base Grade......Please help me..

Thanks

Hi, In Bl 4.4m1 , I have grade a shot and make that shot look like old film ventage look. For that I used some old film texture .tiff file and a scan line image file with blend operator. And now I want to export that shot as a .BLG file but I can't do this. When I export its showing some errors ( errors occurs due to same sequence). In mean time when I export that graded shot without using old film texture its exporting the blg file I can't understand the reason....please help someone

All above description are very much helpfull to me. I am little bit confused about the scene setting when I grade in ACES workflow.Is there need to set all the multiple camera and DPX clips " Imput colour space" setting manually. And what is DRT setting in multiple camera footage. I actually want to know what is the setting of ACES workflow in the time of grading multiple camera footage. And what is setting of "IRT" in the time of multiple type of Delivery. Basically I didn't see exacat same output in mobile display which I have grade in DCI P3/2.6 colours space. Basically I did, P3 colour space grading material offset in Rec709 1886 timeline and render in prorec file.But I think all the mobile display and monitor are in SRGB colours space.How I solved it. Plz help me