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Found 3 results

  1. Hi! I'm a junior colorist working here in the Philippines, working for almost 2 years. I would love to know how you guys color grade your alexa footage. Looking at the Oscar's nominated films, most of it were shot using Alexa Mini, XT, and 65, and it looks damn amazing. My grades with the alexa looks subpar compared to these films, is it the contrast, the lighting, the workflow, the production design, etc. Here is my workflow: I balance out the image first,then grade it, and lastly client's and director's nitpicks. Still, I feel like it looks video-y, compared to what I see in foreign films and commercials. Thanks!
  2. Hey guys, I don't know if this makes sense, but I've come up with a workflow that I think is plausible in matching A7S with Alexa footage. I used color space transform ofx to convert slog to to log-c and matched the color of the a7s with the log-c of the alexa footage then applied the same settings that I used on the Alexa to the a7s. What do you think about this?
  3. I have a mixed timeline with both Alexa 65 and RED Epic footage. I would like to know if I could do anything to match the footage before applying my main correction? Any transform LUTs, gamma corrections or color space transformations that could help bringing the footage closer to each other?