Tom Tomlinson

I see compression parameters in the codec edit section on the render page. I am running 5.2.12039

This is the info I got from Arri support--

I would recommend involving them right away.

Output Academy Printing Density.pdf

Thanks for the reply Andy. 

It was my understanding from talking to some of the scanner manufacturers that they were working on that feature where the machine could do that. The only machine /company that gave me their procedure/workflow was Arri. DFT (as of February) is working on it.

On 9/15/2016 at 5:19 AM, Andy Minuth said:

Put the footage in a scene. Set the scene working colour space in the 'Scene Settings' to whatever kind of log flavour Your footage is. e.g. Arri LogC WideGamut, etc. If it is a film scan, I recommend ADX.

Was just curious about your choice of ADX over something like traditional cineon log. How many scanners out there can actually or are doing ADX scans?

Amazing the amount of color complaints due to the NCLC issue & color tagging.

So many clients judging color based on how QT viewer displays it.

My client was comparing a 4 week old render to the new software render & explain its due to the metadata in the viewer.

"The files color is the same"

I did see a colleague show FCP X making the files look like "red channel only" images.

Good Times.