Alex Prohorushkin

5 hours ago, Maxim said:

How much does it cost? 

 

In Germany 300€.

Adobe as always vs Apple. First one released fcpx.10.3, followed by other v.2017 ... "Its a race"

Digital Vision is pleased to announce the release of the 2016.1 version of Nucoda grading and Phoenix Restoration software. This release offers a huge range of new features as well as some important bug fixes. Please be sure to read the Features and Benefits document there is very important information on new features. Just some of the many new features in 2016.1

• AJA Kona support for video and audio capture
• Precision and Interface updates
• ACES 1.0.2
• SDK Updates for Sony
• SDK Updates for Red
• Changes to MXF file exporting and naming of DNxHD/R
• DVO threads - Increase in speed for most DVO tools 
• LUT’s - Support for importing and exporting .cube lut format
• EDL Enhancements - Layer and Matte additions
• Changes to the Router tool Use any layer as input for current layer
• New tools in the User FX and Colour layers
• Matte Paint
• Matte Diff
• New DVO tool - DVO Dry Clean
• New file formats supported for Export via the Extended Formats

For download information, please log on to the Google forum Digital Vision on Google groups   If you are not a forum member please sign up and well be happy to welcome you.

Hi everyone.

Lot of us know (or have heard) that in cinema and theatre p3 color space is usually used when projecting images to screens. 

It is very different from Rec 709 color space. Should i pay much of my attention and spend money for P3>Rec.709 adaption if people anyway can't see it on the screens of their home TVs?

Talking with one of my collabs i heard something quite interesting. He said that much of the color guys all over the world work inside Rec.709 color space because when Rec709 is converted to P3 almost nothing changes for the eyes of the audience because p3s range is much wider than the Rec709s one. What can't be said about P3 to Rec709 converting because it takes much effort to place wide range of P3s in Rec709.

Understanding that this approach is quite wrong, I guess that for many movies this way is viable.

What would you say?

Here is comparative graph of the color spaces.

Presentation Review

Thanks! Very cool) Rest for eyes.

Oppppssss))) 

its amazing devices.

I want 3 pcs))

I wonder if in today's world is such a thing as a "Favorite of color grading systems"

What do you think, is there a system now, which fully meet modern requirements?

ACES, HDR, 4K or 8K, 3D, VR, or something else?

Mistika, Lustre, Baselight, Pablo Rio, Scratch, RAIN, Nucoda, Resolve, etc.

http://film-palettes.tumblr.com/

Hi Mazze.

What does "panel mapping for Lustre" mean?

It's interesting.

Very Nice)))

Thanks.

Add to this topic.

This is impressive for monitors that price out at $5,000 for the 65' and $3,500 for the 55'.

http://nofilmschool.com/2016/10/lg-oled-gives-you-reference-quality-110th-price

Hi Fernando.

I'm sorry, but your answer (feedback) to Tom Evans, but your quote from Nicolas Hanson.

Tom are not Nicolas.

respect, Alex

And....

So, why is Baselight?

Hi.

Almost any software can operate with the panel. The original or universal.
How Community colorists present position is that there should be a panel necessary?
As far as I have information that Steve Scott (Technicolor) does not use the panel during operation.

Alex.

Maybe you have same tutorial into Baselight?

Hi.

I was very closely linked to the Edit. And there is an excellent article which presents 6 myths in this. http://postperspective.com/jonathan-mosers-myths-editing/ 

And the question came. Are there any similar myths in relation to the color correction?

Alex.

Good answer)

I’m late))), but your right on 100%

19 minutes ago, Abby Bader said:

Lustre is discussed several times in the premium articles by the Technicolor colorists.

and what is the result? Have you something to share on this forum?

For more information:

- Assimilate Scratch - $ 650.00. In the case of Scratch VR Suite - $ 1,995.00.
- Adobe SpeedGrade CC, is included in the composition of the CC with a subscription of $ 75 per month or $ 600 if you pay once a year.
- Baselight Editions - $ 995.00.
- About Nucoda not say such was the price of $ 2700, but how many do not know now. (Or $5000)
- DaVinci Resolve Studio - $ 500.00.

- Autodesk Flame Premium (with Lustre) - subscription of $ 750 per month.

Prices only on the software without sockets, GPU, IO cards, and more.