Badi

Hi Chris, thanks for this great master class. Very helpful. I would be very happy to see a real life session. Even for 10 minutes For the metadata editing, does it mean that you grade RAW footage ? Or this lift gamma gain workflow also works on Alexa quicktime 444 log. I never be able to have better gamut curve with the color tab than with the "technical" LUT or IDT on log footage (no raw). Especially for skin tone. Thanks

Thanks Kevin and Lowepost to share those incredible lessons! J’ai appris quelque chose dans chaque leçon. 🤓

Thanks so you suggested to never use color management even in resolve? or after vfx, I can work in aces and specify Log3G10/WideGamut as inpu transform and rec 709 as the output

Hi, for a new project we will shot with a red camera. We will develop files in davinci resolve exports prores 444 (not exr or dpx ) and make vfx in after effects. What I am not sure is how to handle the ipp2 color workflow in after effect. I am planning to export ipp2 wide gamut from resolve and use color io to manage the files in after effect. After vfx we would not go back to resolve as we need to export files with transparency. Also we want avoid r3d in after effects as it is less optimized. Is some one has an advice or a pipeline to share to maintain the right color pipeline in AE. Best Badi