Anton Meleshkevich June 17, 2018 Share June 17, 2018 (edited) May be someone will find it helpful. For Davinci Resolve 15. Set the node's gamma to linear. Set timeline colorspace to source footage colorspace. Adjust gain. This is 100% similar to adjusting it in RAW. For other apps. Transform source footage gamma to linear. Then adjust exposure using gain. Then transform gamma back to source footage gamma. But unfortunately adjusting WB this way isn't working. So I'm going to use printer lights (offset) for WB and trying to find something what will be 100% similar to RAW. Edited June 17, 2018 by Anton Meleshkevich Link to comment Share on other sites
Anton Meleshkevich June 18, 2018 Author Share June 18, 2018 (edited) I was wrong. Not 100% identical. But still it is much closer to raw (almost the same thing) compared to usual printer lights which isn't close, especially when exposure is far away from correct. Edited June 18, 2018 by Anton Meleshkevich Link to comment Share on other sites
