Dimitrios Papagiannis

MTO. A GREAT COLORIST. AN EVEN BETTER GUY.

MTO. A GREAT COLORIST. AN EVEN BETTER GUY.

You mentioned that you like to work in linear. Where do you get in and out of linear?

Thank you gentlemen. Derek do you find yourself in the position sometimes where you are asked to come up with a look(s) without any references and if so what is what is your game plan for such a situation Also any "begining baselight" courses for those of us that have the student edition would be most desirable.

Fantastic. Moar RGB MIXER please. That was a great look but I don't understand how you made those decisions at all.

I don't work so much in HDR but sometimes I will take a full screen shot on a mac (Shift Cmd 3) and send that sometimes.

I've noticed this effect it in the following way. Let's say you have a thumbnail on the timeline of a black and white gradient, then you turn your head about 30 degrees to the right or left, watch the middle of the gradient (middle grey) to see if it goes warm to cool or what looks like blue to brown. However, straight on I didn't see any color shift. Just my personal experience. It's much much less noticable if the gradient is full screen. I forget the name of the coating but it was on high end Nikon lenses. Truth is I'm not sure actually if it was the coating or not in my case though I'm guessing that.

What is specifically meant by 3 passes before grading the first shot?