Marvin Nuecklaus

Amazing course, thank you as always Lee and Lowepost! Would love to see more advanced tutorials like this and beyond.

One question. What prevented you from connecting your first Camera Node to Merge3D1_1 (the Merge 3D of the second scene)?

Wouldn't that make it easier by not having to worry about changing one parameter when fine tuning in Camera 1 and forgetting to duplicate the camera again each time?

Also is there a way to avoid grabbing a still of frame 88 (phone screen before flying through) with a more "accurate" approach? Seems very cumbersome to match the frames especially when it becomes a bit more complex.

Thank you for this thorough course, easy to follow as always! 

I got two questions that I believe haven't been answered.

1) When creating multiple busses, how do I decide which one I'm monitoring. In L14 you send the Dialogue Bus to the Main bus but at what point in time have you categorized it as the main Bus? Is there an option or does it go chronologically down the list?

2) When creating a stereo and 5.1 Bus and I start panning individual tracks in the 5.1 space, how does that translate to stereo? Will it compress automatically, i.e. L and L s will just translate to L and ignore that separation? 

I have a question about Lesson 12.

1. What's the reasoning behind exporting a Mono Music track in the first place? Is this just to show that you can easily convert Stereo to Mono or does that have any 'real life' practical reasons?

2. Why did you create a M&E track and didn't include it in the Export?