Marvin Nuecklaus

  • Content Count

  • Joined

  • Last visited

Community Reputation

1 Neutral

About Marvin Nuecklaus

  • Rank
  • Birthday 07/09/1991

Personal Information

  • Gender
  • Website

Recent Profile Visitors

165 profile views
  1. Hey everyone, I would like to ask for your advise on how to set up the following hardware: - iMac Pro (primary monitor) - Asus ProArt pa32ucx - LG OLED CX Series - Blackmagic Ultra Studio 4K Mini - Davinci Resolve 17.08 Beta - Display CAL - Xrite i1 My current color environment is in Rec 709 and P3 however, I would like to ultimately be able to get into HDR finishing as well. Currently, I have my Ultrastudio Mini 4K connected over HDMI to my Asus ProArt while the LG gets a clean feed from resolve with the calibration LUT loaded internally. The Asus gets the calibration
  2. Hey everyone, I'm currently using Resolve 17 on an iMac Pro which is connected through thunderbolt 3 to a UltraStudio 4K which feeds the signal through HDMI to an Asus ProArt PA32UCX 32. For calibrations, I'm using the xrite i1 display pro and for the software Display Cal. My question is, how do I calibrate the monitor so that the changes will apply to the monitor connected to my video I/O box individually from my GUI Monitor (imac)? When applying my calibration LUT for my Asus to the option "Video monitor lookup table " it will also affect my iMac. I believe in Resolve
  3. @Lee Lanier Thank you for your prompt answer. I guess to simplify my question, while you're technically able to edit in AE and approach a lot of sequence composition work as such, does Fusion within Resolve allow you the same thing? F.e. if I load in multiple clips as media in, can I adjust the timing of those clips or have them overlap to add a transition as simple as a cross dissolve or would I need to have these clips overlap in the edit page, load them into fusion individually, animate transparency for clip 1 on the tale end and on clip 2 at the beginning while really only seeing
  4. Hey there, just finished the Fusion Fundamentals class. I worked in After Effects on a semi professional level before so, the workflow is sort of implemented in my brain and now I'm trying to wrap my head around Fusion. The question I have is how Fusion's workflow is in comparison to After Effects specifically when it comes to multiple clips in form of a timeline? In AE, when doing a GFX sequence, I would create a composition with x-amount of frames and import my graphics or clips within that composition which basically interacts as a timeline. That way I can transition th
  5. You're the man! Thank you Jussi. When reconform from bin that contains the same clips (let's say with updated VFX but runtime is identical) and I want to match the same in and out points of the clips in the timeline, would I need to manually set the in point of each clip in that bin that I'm trying to reconform?
  6. Hey everyone, I'm transitioning from Premiere and there's one key function I would always use which is holding the alt/option key and dragging and dropping a clip from my media pool on a clip or multiple pre selected clips in order to simply replace them. That way, all effects and attributes stay intact. I understand Resolves version is to select a clip from the media pool, select a clip in the timeline that I would like to replace and choose Conform Lock with Media Pool Clip. This however is greyed out when selecting multiple clips. I'm looking for a similar functionality as I
  7. Hey Lowepost Team, thank you for all the great courses you offer. While I just finished the Fairlight Basic Course, I have a good understanding how the main tools work. However, when it comes to work with Audio creatively, I'm still green behind my ears and normally send it off to an Audio Post House. There are situations however, where the budget doesn't allow me to get external folks involved and I would love to earn creative ways to work with audio such as improving your VO or OCD, use of the effects library, more advanced ways of noise reduction, etc. Same as you do fo
  8. I have a question about Lesson 12. 1. What's the reasoning behind exporting a Mono Music track in the first place? Is this just to show that you can easily convert Stereo to Mono or does that have any 'real life' practical reasons? 2. Why did you create a M&E track and didn't include it in the Export?