Abby Bader

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Everything posted by Abby Bader

  1. Abby Bader
    Works fine here
  2. Abby Bader
    Well, I see what you mean, but his focus class is on explaining concepts and grading workflow rather than walking through specific footage step-by-step. As long as the principles are clear, you don’t actually need the exact same footage to follow along. The goal is to understand the process so it can be applied to any context, not just to a particular set of frames. If you want step-by-step tutorials I recommend the DaVinci Resolve training, for examples the ones with Kevin to start out with.
  3. Abby Bader
    Hi Julio. Typically, if a course requires footage, it’s included.
  4. Abby Bader
    To improve separation, try dialing in the contrast on a black-and-white version of the shot. Additionally, look at subtracting color from objects far away etc to help get better separation.
  5. Abby Bader
    The VFX department should verify that the delivered files match exactly what they received. Please note that full-range vs. legal-range color space differences can cause slight color shifts.
  6. Abby Bader

    Show LUT Design

    Abby Bader commented on Lowepost's insider article in Insights

    It's just a master file with the transform disabled, point is to future proof the archiving.
  7. Abby Bader
    This course walk you through several alternatives, worth watching:
  8. Abby Bader
    Excellent course Josh!
  9. Abby Bader
    There are two files in the ZIP-folder, import the "DRX" into your still album and the node tree will be available to you.
  10. Abby Bader
    Apply the transform first, then adjust exposure and balance in a prior node. Again, watch the pro training with Kevin to understand how to set up this workflow. If you already have, watch it again.
  11. Abby Bader
    Apply the transform first, then adjust exposure and balance in a prior node. Again, watch the pro training with Kevin to understand how to set up this workflow. If you already have, watch it again.
  12. Abby Bader
    People have different ways of working, I think it's about finding a workflow that you feel comfortable with. Personally I prefer to start with global exposure and balance prior to the transform and build from there if needed. Also, look into what color management (RCM/ACES) can do for you. It can take you to a nice place pretty quick.
  13. Abby Bader
    People have different ways of working, I think it's about finding a workflow that you feel comfortable with. Personally I prefer to start with global exposure and balance prior to the transform and build from there if needed. Also, look into what color management (RCM/ACES) can do for you. It can take you to a nice place pretty quick.
  14. Abby Bader
    Might be, but the point is that the curve of the transform should be the main component to decide where your corrections should fall on the tonal range. Applying corrections after the curve will have no component to decide where your colors will fall, how your highlights will bend etc. I can't stress enough to set up a good workflow. You will get better continuity between shots and scenes, and professional looking result. Watch the professional color grading training with Kevin to understand this concept better.
  15. Abby Bader
    Might be, but the point is that the curve of the transform should be the main component to decide where your corrections should fall on the tonal range. Applying corrections after the curve will have no component to decide where your colors will fall, how your highlights will bend etc. I can't stress enough to set up a good workflow. You will get better continuity between shots and scenes, and professional looking result. Watch the professional color grading training with Kevin to understand this concept better.
  16. Abby Bader
    I think it's safe to say that the transform is happening at the end of the node stack in most professional workflows. Most of the grading controls are designed to be applied in camera space and the results of their corrections are designed to go through a transform. That said, there are no rules in creativity.
  17. Abby Bader
    I think it's safe to say that the transform is happening at the end of the node stack in most professional workflows. Most of the grading controls are designed to be applied in camera space and the results of their corrections are designed to go through a transform. That said, there are no rules in creativity.
  18. Abby Bader
    Yes!
  19. Abby Bader
    Timeline color space only affects how your color controls works, not the end result or anything else. I prefer to leave it set to Arri Log C when working with any type of footage. For Red Workflow in general, watch this course:
  20. Abby Bader
    Unzipping?
  21. Abby Bader
    Density is brightness (offset slider).
  22. Abby Bader
    Hi Ian, may I propose you team up with Lowepost to produce an online training series? Most of the pro community are members here.
  23. Abby Bader
    Most of the times you can key in log without any problem, but different algorithms works for you on different methods.
  24. Abby Bader
    On this site? Do you mean this?
  25. Abby Bader
    Also discontinued.