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Posts posted by Ibrahim Ziazadeh
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1 minute ago, Tom Evans said:
Then you deliver ProRes 4444
Isn't prores 4444 in a lower quality than DCP?
My source film is a 14-bit RAW at 1080p.
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They want the film either non-encrypted DCP or Apple prores 4444.
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If I want to send a film to a festival what should my project settings be in my NLE when dealing with color grading 1080p 14-bit cinemaDNG footage in After effects? i.e. If I have understood this the working space I must select is P3 DCI gamma 2.6 and depth at 32bpc? Or do I keep my working space to rec 709 gamma 2.4?
I have openDCP or DCP-o-matric at my disposal for the DCP conversion. Since I cannot directly export to DCP in AE what is the best intermediate format to export to resulting in no quality loss?
Rec.709 vs DCI P3
in General Discussions
· Edited by Ibrahim Ziazadeh
Ok, thanks man. What about the working space isn't DCI p3 better to color grade in rather than rec709 if I choose apple prores 4444? or apple prores 4444 XQ.