Ibrahim Ziazadeh

Ok, thanks man. What about the working space isn't DCI p3 better to color grade in rather than rec709 if I choose apple prores 4444? or apple prores 4444 XQ.

Isn't prores 4444 in a lower quality than DCP? My source film is a 14-bit RAW at 1080p.

They want the film either non-encrypted DCP or Apple prores 4444.

If I want to send a film to a festival what should my project settings be in my NLE when dealing with color grading 1080p 14-bit cinemaDNG footage in After effects? i.e. If I have understood this the working space I must select is P3 DCI gamma 2.6 and depth at 32bpc? Or do I keep my working space to rec 709 gamma 2.4? I have openDCP or DCP-o-matric at my disposal for the DCP conversion. Since I cannot directly export to DCP in AE what is the best intermediate format to export to resulting in no quality loss?