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Showing results for tags 'colorspace'.
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Hey everyone, I need a little help here. I have a Project shot on Red Epic (Prores 444, 2k), I'll be color grading on davinci resolve 15 studio. This Project will be Projected in Cinemas (DCP, and Private watching on Tv) So my question is should I Work on Rec 709 output and than convert it to DPC using DCP O-matic ? Or should I Work on P3 Color Space output ? (I will be using Ipp2) Thanks for the help !!
I often hear and read here that nobody transforms LogC (or Red, or whatever) colorspace gamut to destination gamut. For example from AlexaWideGamut to Rec709 gamut. Everybody just makes a contrast curve, then some LGG, and that's all. Even If I go this way, I still use a gamut conversion LUT after normalization curves. Or I use gamut (colorspace) conversion plugin after the curves if I'm on Resolve. Why do many colorists skip this step?