Deiontrez Mount

2 minutes ago, Deiontrez Mount said:

Yes! I have been looking for his class that displayed this. None of the chroma key classes does, can you recall a class where he does this so I can go and check it out? 

I found it! 

30 minutes ago, Tom Evans said:

Lee demo this workflow in several of his classes here on Lowepost. You simply bring the log shot into Fusion or whatever compositing app you are using and key under a LUT. Apply the LUT, key the shot and remove the LUT when you're done and ready to render. It's nothing else you need to know really.

Yes! I have been looking for his class that displayed this. None of the chroma key classes does, can you recall a class where he does this so I can go and check it out? 

1 hour ago, Tom Evans said:

That's not your problem, they will apply whatever transform is necessary before they do their keywork and remove the transform when sending the file back to you.

Okay, so if I wanted to do it myself, what would be the workflow then? I feel like I have to know this part of the workflow eventually (especially if I am wanting to get into VFX myself) do you know of any resources where I can learn this part of the workflow ? 

2 hours ago, Tom Evans said:

Deliver the log image, original file or flat pass render.

But the original file won’t have any color information. How do I deliver a color corrected images so it can be easier to key? 

Could you go over a workflow for compositing over a log image ? That’s a fundamental thing that is missed that I need to know! Like, how would I pass this shot off to a VFX artist and give him the most data to work with so that he can give it back to me for coloring and finishing? Could you point me in the right direction ? 

I’m the Lab example of the Saturation lesson, how are you adjust your knobs all together as if they are ganged together? I am having to adjust them separately. Also, which saturation method are you finding yourself to come to the most ?