Alex Martin

It’s better if I can see your node graph, shot to shot.

Raul, heres an offset LUT - https://f.io/VqdBxr_E Apply this to the tail end of your node tree. The correction may not be exact since the offset is designed for my monitor but might get you close. Let me know if you have any luck, Alex

Yes so now that the color profile is correct as 1-1-1 you may need to apply a trim correction on render. Take a screen shot of a single frame in QuickTime. Import that shot into the timeline. Go to your original shot that is graded in davinci and take a still. now reference the davinci still, color correct the still from QuickTime to match. that correction will be the offset. Apply the offset correction node to the tail end of your node tree and render the original davinci shot. this should then match when reviewing in QuickTime Player. Helpful tip- use curves and saturation only to achieve the trim, not lift gamma gain so that the offset tracks better across shots. Hope that helps!

Try rendering these out as Rec-709 scene. The color profile should be 1-1-1, not 1-2-1. Then if you open in Quicktime player, preview, youtube, etc it should be a closer match to resolve. If you open the file in VLC player it should be almost an exact match. Hope that helps, Alex

I'm a remote colorist and collecting large files from clients has always been a challenge. I recently found a plugin for Frame.io called Silosync.io, which has helped streamline my file transfers. Curious what other go-to platforms there are for receiving large files from clients? Appreciate the insights, Alex